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Morphometric analysis of the front-view human figures in the Ningming Huashan Rock Art, Southern China
16 references·0 citing·48 second hop
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References

  • 2003Analysis of rock art painting and technology of Palaeolithic painters171 cited
  • 2017High precision U/Th dating of the rock paintings at Mt. Huashan, Guangxi, southern China90 cited
  • 2000Digital Image Processing and the Recording of Rock Art62 cited
  • 2016Master and apprentice: Evidence for learning in palaeolithic portable art62 cited
  • 2007The Upper Paleolithic Rock Art of Iberia60 cited
  • 2015Reflections on the Identities and Roles of the Artists in European Paleolithic Societies47 cited
  • 2014Rock Art Research in Southeast Asia: A Synthesis43 cited
  • 2020Motion and Gesture: Analysing Artistic Skills in Palaeolithic Art24 cited
  • 2022Application of Line of Sight and Potential Audience Analysis to Unravel the Spatial Organization of Palaeolithic Cave Art23 cited
  • 1991A Field Guide to Aboriginal Rock Engravings: with Special Reference to Those Around Sydney23 cited
  • 2022Visualizing childhood in Upper Palaeolithic societies: Experimental and archaeological approach to artists’ age estimation through cave art hand stencils19 cited
  • 2015Estimating age and sex: Paleodemographic identification using rock art hand sprays, an application in Johnson County, Wyoming13 cited
  • 2016First identification of non-human stencil hands at Wadi Sūra II (Egypt): A morphometric study for new insights into rock art symbolism9 cited
  • 2021

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A contribution to the debate about prehistoric rock art in southern Europe: New Palaeolithic motifs in Cueva de las Palomas IV, Facinas (Tarifa, Cádiz, Spain)
8 cited
  • 2020Impacts of scientific approaches on rock art research: Global perspectives6 cited
  • 2023The rock art of Caraculo, Namibe province, Angola4 cited
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