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Private Music Theory
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Private Music Theory (2024)Private Music TheoryThe Audience Chimera: On Platforms, Publics, and Power (2024)The Audience Chimera: On Plat…A Spectrum of Audiences for Music Theory, and Some Ways to Connect with Them (2024)A Spectrum of Audiences for M…Public Music Theory’s Neoliberal Learning Outcomes (2023)Public Music Theory’s Neolibe…On Music Theory, and Making Music More Welcoming for Everyone (2022)On Music Theory, and Making M…Oliveria Prescott and the Musical Amateur (2022)Oliveria Prescott and the Mus…Making a Home of The Society for Music Theory, Inc. (2022)Making a Home of The Society …An Introduction to Public Music Theory (2022)An Introduction to Public Mus…Getting to Count (2021)Getting to CountMusic Theory for the “Weaker Sex”: Oliveria Prescott’s Columns forThe Girl’s Own Paper (2020)Music Theory for the “Weaker …Ask the Experts (2020)Ask the ExpertsWomen musicians and professionalism in the late-nineteenth and early-twentieth centuries (2018)Women musicians and professio…Reconceiving Structure in Contemporary Music (2015)Reconceiving Structure in Con…Keeping score : music, disciplinarity, culture (1997)Keeping score : music, discip…Milton Babbitt: Words About Music (1987)Milton Babbitt: Words About M…Education of girls and women in Great Britain (1897)Education of girls and women …Sister Outsider: Essays and Speeches (1984)Living a Feminist Life (2016)Down Girl: The Logic of Misogyny (2017)Dashon Burton's Song Sermon: Corporeal Liveness and the Solemnizing Breath (2022)The Many Paths of Decolonization (2022)The consequences of modernity (1990)An Invitation to Reflexive Sociology. (1993)Bowling alone: the collapse and revival of American community (2000)Unsettling the Coloniality of Being/Power/Truth/Freedom: Towards the Human, After Man, Its Overrepresentation--An Argument (2003)Decolonization is not a metaphor (2012)Undisciplined (2023)Who Does the Society for Music Theory Gather? (2023)Tonality and Racism (2024)Undoing the Demos (2015)Neoliberalism and the Musical Entrepreneur (2016)Music Theory and the White Racial Frame (2020)Attachments on Display: Music Analysis in the Public Sphere (2024)“Let’s Think in Layers”: On Twenty-First-Century Instruments of Public Music Theory (2025)The audience (1998)The Superintelligent Will: Motivation and Instrumental Rationality in Advanced Artificial Agents (2012)Towards a Curriculum in Public Music Theory (2017)Hidden Public Music Theory (2024)From lyric to anti-lyric: analyzing the words in pop song (2003)Popular music analysis: ten apothegms and four instances (2003)Music as a Technology of Surveillance (2018)Time, Territorialization, and Improvisational Spaces (2017)Gestural Perspectives on Popular-Music Performance (2022)From Clave Ethnotheory to Clave Theories: A Path Toward Decolonizing Musical Analysis (2024)Decolonising the rhythm curriculum: integrating global groove practices in undergraduate aural skills (2025)Music education as symbolic action: critiquing Western music education rhetoric (2025)Formation of a New Harmonic Language in Elliott Carter’s String Quartet No. 2 (2017)Cycles in Webern’s Late Music (2018)
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References

  • 1997Keeping score : music, disciplinarity, culture92 cited
  • 2022On Music Theory, and Making Music More Welcoming for Everyone76 cited
  • 1897Education of girls and women in Great Britain56 cited
  • 2021Getting to Count50 cited
  • 2022Making a Home of The Society for Music Theory, Inc.22 cited
  • 2015Reconceiving Structure in Contemporary Music22 cited
  • 2020Ask the Experts21 cited
  • 2023Public Music Theory’s Neoliberal Learning Outcomes15 cited
  • 1987Milton Babbitt: Words About Music10 cited
  • 2024The Audience Chimera: On Platforms, Publics, and Power7 cited
  • 2018Women musicians and professionalism in the late-nineteenth and early-twentieth centuries7 cited
  • 2020Music Theory for the “Weaker Sex”: Oliveria Prescott’s Columns forThe Girl’s Own Paper6 cited
  • 2022An Introduction to Public Music Theory5 cited
  • 2024A Spectrum of Audiences for Music Theory, and Some Ways to Connect with Them4 cited
  • 2022Oliveria Prescott and the Musical Amateur3 cited

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