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“Creation” of new possibilities in museum collections—Tamara Cardinal's jingle dress and its potential to disrupt hegemony in museum collections
16 references·0 citing·34 second hop
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this work references cited by second hop

References

  • 1988The Predicament of Culture5,526 cited
  • 2005The Order of Things3,279 cited
  • 1992Recapturing anthropology: working in the present2,123 cited
  • 2003The Archive and the Repertoire2,114 cited
  • 2005Indigenous Knowledge Systems and Alaska Native Ways of Knowing913 cited
  • 2003Unmarked803 cited
  • 1988Performance Art: From Futurism to the Present593 cited
  • 1995First Nations Education in Canada: The Circle Unfolds477 cited
  • 2011Kaandossiwin: How We Come to Know275 cited
  • 1999FROM BEING ABOUT SOMETHING TO BEING FOR SOMEBODY : THE ONGOING TRANSFORMATION OF THE AMERICAN MUSEUM259 cited
  • 2002Preserving what is valued: museums, conservation, and First Nations156 cited
  • 2009The National Museum of the American Indian: critical conversations111 cited
  • 2009Museums and restorative justice: heritage, repatriation and cultural education83 cited
  • 1994Object Lessons and Ethnographic Displays: Museum Exhibitions and the Making of American Anthropology72 cited
  • 2009First Nations cultural heritage and law: case studies, voices, and perspectives71 cited
  • 2008Spirited encounters: American Indians protest museum policies and practices

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