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We hardly need to use our ears: Video, audio and the shaping of the podcast medium in the 2020s
16 references·0 citing·30 second hop
We hardly need to use our ears: Video, audio and the shaping of the podcast medium in the 2020s (2024)We hardly need to use our ears: Video, au…What is a podcast? Considering innovations in podcasting through the six-tensions framework (2022)What is a podcast? Considerin…Podcasting as a hybrid cultural form between old and new media (2022)Podcasting as a hybrid cultur…Radio, music, podcasts – BBC Sounds: Public service radio and podcasts in a platform world (2020)Radio, music, podcasts – BBC …The Platforms of Podcasting: Past and Present (2019)The Platforms of Podcasting: …Visualizing a Non-Visual Medium through Social Media: The Semiotics of Radio Station Posts on Instagram (2018)Visualizing a Non-Visual Medi…‘Just Because You Play a Guitar and Are from Nashville Doesn’t Mean You Are a Country Singer’: The Emergence of Medium Identities in Podcasting (2018)‘Just Because You Play a Guit…‘I Know What a Podcast Is’: Post-Serial Fiction and Podcast Media Identity (2018)‘I Know What a Podcast Is’: P…Podcasting: Considering the evolution of the medium and its association with the word ‘radio’ (2016)Podcasting: Considering the e…Personal narrative journalism and podcasting (2016)Personal narrative journalism…How podcasting is changing the audio storytelling genre (2016)How podcasting is changing th…Reuters Institute Digital News Report 2015 (2015)Reuters Institute Digital New…Podcasting and its Apps: Software, Sound, and the Interfaces of Digital Audio (2015)Podcasting and its Apps: Soft…The politics of ‘platforms’ (2010)The politics of ‘platforms’Servicing ‘self-scheduling consumers’ (2009)Servicing ‘self-scheduling co…Four steps in innovative radio broadcasting: From QuickTime to podcasting (2007)Four steps in innovative radi…Will the iPod Kill the Radio Star? Profiling Podcasting as Radio (2006)Will the iPod Kill the Radio …The Internet and Knowledge Gaps (2002)Introduction: Podcasting and Podcasts—Parameters of a New Aural Culture (2018)Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit (2019)Trends in Disseminating Audio on Demand Content through Podcast: An Opportunity and Challenge in Indonesia (2020)Cultural boundaries of science: Credibility on the line (1999)Blogs, Wikipedia, Second Life, and beyond: from production to produsage (2009)#Gamergate and The Fappening: How Reddit’s algorithm, governance, and culture support toxic technocultures (2015)Algorithmic Labor and Information Asymmetries: A Case Study of Uber’s Drivers (2016)Platform capitalism: The intermediation and capitalisation of digital economic circulation (2017)The Wealth of Networks (2017)Examining the Motives of Podcast Users (2010)Doing radio, making friends, and having fun: Exploring the motivations of independent audio podcasters (2011)Podcasting as an Intimate Medium (2022)The long tail : how endless choice is creating unlimited demand (2006)Higher education and its post-coronial future: utopian hopes and dystopian fears at Cambridge University during Covid-19 (2020)Code/Space (2011)The platformization of cultural production: Theorizing the contingent cultural commodity (2018)De la radio al audio a la carta: la gestión de las plataformas de podcasting en el mercado hispanohablante (2021)The Logic of Scientific Discovery. (1977)THE REUTERS INSTITUTE FOR THE STUDY OF JOURNALISM (2011)Audio communication in the face of the renaissance of digital audio (2022)Podcasts as a tool for enhancing mental health literacy: An investigation of mental health-related podcasts (2023)Artificial intelligence-generated podcasts open new doors to make science accessible: a mixed-method evaluation of quality and the potential for science communication (2025)What is News? (2016)Political communication in a high-choice media environment: a challenge for democracy? (2017)Social Media, Political Polarization, and Political Disinformation: A Review of the Scientific Literature (2018)Undisclosed Information— Serial Is My Favorite Murder : Examining Motivations in the True Crime Podcast Audience (2018)Immersive Audio Storytelling: Podcasting and Serial Documentary in the Digital Publishing Industry (2019)Aural Parasocial Relations: Host–Listener Relationships in Podcasts (2021)Understanding podcast users: Consumption motives and behaviors (2020)
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References

  • 2010The politics of ‘platforms’2,508 cited
  • 2015Reuters Institute Digital News Report 20151,891 cited
  • 2006Will the iPod Kill the Radio Star? Profiling Podcasting as Radio341 cited
  • 2016Podcasting: Considering the evolution of the medium and its association with the word ‘radio’208 cited
  • 2016How podcasting is changing the audio storytelling genre187 cited
  • 2019The Platforms of Podcasting: Past and Present176 cited
  • 2016Personal narrative journalism and podcasting175 cited
  • 2022What is a podcast? Considering innovations in podcasting through the six-tensions framework111 cited
  • 2015Podcasting and its Apps: Software, Sound, and the Interfaces of Digital Audio84 cited
  • 2007Four steps in innovative radio broadcasting: From QuickTime to podcasting74 cited
  • 2018‘Just Because You Play a Guitar and Are from Nashville Doesn’t Mean You Are a Country Singer’: The Emergence of Medium Identities in Podcasting45 cited
  • 2018‘I Know What a Podcast Is’: Post-Serial Fiction and Podcast Media Identity43 cited
  • 2009Servicing ‘self-scheduling consumers’42 cited
  • 2020Radio, music, podcasts – BBC Sounds: Public service radio and podcasts in a platform world39 cited
  • 2018Visualizing a Non-Visual Medium through Social Media: The Semiotics of Radio Station Posts on Instagram

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38 cited
  • 2022Podcasting as a hybrid cultural form between old and new media36 cited
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