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The motifs adorning the pashmina shawl serve as a visual testimony to its association with Persian art, which significantly influenced the region. The advent of Islam in Kashmir during the 14th century ushered in a new era of artistic expression, wherein Muslim artists incorporated floral and arboreal motifs to enhance the esthetic appeal of textiles, architecture, and other facets of material culture. The main objective of this study is to examine the myth and narrative included in motifs found on Kashmiri pashmina shawls in light of Barthes’s mythological framework. The study reevaluates the paisley motif, attributing its creativity to Kashmiri artisans, and contributes significantly to documenting and conserving Kashmiri textile heritage. Through primary data analysis, it offers fresh insights into the motifs’ meanings and challenges conventional narratives. This study looked into the significance of floral motifs that are frequently used on pashmina shawls. This study depends upon the conclusions derived from the firsthand information collected from Kashmiri academicians, artisans, and secondary sources.
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