SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Teori, performans ve üslup perspektiflerinden muzik analizi
16 references·0 citing·29 second hop
Teori, performans ve üslup perspektiflerinden muzik analizi (2025)Teori, performans ve üslup perspektifleri…Elements of Sonata Theory (2006)Elements of Sonata TheoryPiano Notes: The World of the Pianist (2002)Piano Notes: The World of the…Form (2002)FormAnalysis and (or?) performance (2002)Analysis and (or?) performanceMIND AND MUSIC: ON INTENTIONALITY, MUSIC THEORY, AND ANALYSIS (1999)MIND AND MUSIC: ON INTENTIONA…Classical Form (1998)Classical FormAnalysis and the act of performance (1995)Analysis and the act of perfo…The fine art of repetition (1993)The fine art of repetitionMusical Structure and Performance (1990)Musical Structure and Perform…Musical Structure and Performance (1989)Musical Structure and Perform…Music Analysis in Theory and Practice (1988)Music Analysis in Theory and …Musical Form and the Listener (1987)Musical Form and the ListenerOn the Relation of Analysis to Performance: Beethoven's "Bagatelles" Op. 126, Nos. 2 and 5 (1985)On the Relation of Analysis t…Introduction to Schenkerian Analysis (1984)Introduction to Schenkerian A…Musical Form and Musical Performance (1969)Musical Form and Musical Perf…Behind the Beyond: A Response to Edward T. Cone (1969)Behind the Beyond: A Response…Musical Form and Musical Performance (1971)Performance and analysis: interaction and interpretation (1995)Analysing Performance and Performing Analysis (1999)In Respect of Performance: The View from Musicology (2003)The performance teacher as music analyst: a case study (2004)A spiral model of musical decision-making (2014)Music Theory, Phenomenology, and Modes of Perception (1986)Chromatic Transformations in Nineteenth-Century Music (2002)Metaphors of depth in German musical thought : from E. T. A. Hoffmann to Arnold Schoenberg (2011)The Aesthetics of Music (1981)Fantasy Pieces (1999)From Policy “Frames” to “Framing” (2014)Musical Performance as Interpretation (1995)Musical Forces and Melodic Patterns (2016)Performing Knowledge (2020)Assessing Music Performance: Issues and Influences (1998)Performing Civility (2015)The Birth of Music out of the Spirit of Drama: An Essay in Wagnerian Formal Analysis (1981)The Web of Culture: A Context for Musicology (1984)Specters of Sex. Tracing the Tools and Techniques of Contemporary Music Analysis (2020)Normalizing the Abnormal: Disability in Music and Music Theory (2006)Extraordinary Measures (2011)Action and Agency Revisited (2013)Between Process and Product (2001)Psychology and Experience (2005)Music as Discourse (2008)Schoenberg's Atonal Music (2019)The Classical Cadence: Conceptions and Misconceptions (2004)Towards a generative syntax of tonal harmony (2011)
this work references cited by second hop

References

  • 2006Elements of Sonata Theory645 cited
  • 1998Classical Form533 cited
  • 1969Musical Form and Musical Performance316 cited
  • 1984Introduction to Schenkerian Analysis130 cited
  • 1985On the Relation of Analysis to Performance: Beethoven's "Bagatelles" Op. 126, Nos. 2 and 5125 cited
  • 1988Music Analysis in Theory and Practice111 cited
  • 1989Musical Structure and Performance97 cited
  • 1995Analysis and the act of performance74 cited
  • 1969Behind the Beyond: A Response to Edward T. Cone68 cited
  • 2002Analysis and (or?) performance68 cited
  • 1990Musical Structure and Performance61 cited
  • 2002Form60 cited
  • 1993The fine art of repetition34 cited
  • 2002Piano Notes: The World of the Pianist30 cited
  • 1987Musical Form and the Listener21 cited
  • 1999MIND AND MUSIC: ON INTENTIONALITY, MUSIC THEORY, AND ANALYSIS7 cited

Cited by

No citing works inside the corpus for this window.

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work