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Popular Music Ontology (Taylor’s Version): Re-Recordings, the Rock Ideology, and Taylor Swift
16 references·0 citing·39 second hop
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References

  • 2010Show sold separately: promos, spoilers, and other media paratexts881 cited
  • 2002Authenticity as authentication485 cited
  • 2007Genre in Popular Music262 cited
  • 1981‘The magic that can set you free’: the ideology of folk and the myth of the rock community243 cited
  • 2010The economy of live music in the digital age167 cited
  • 2006Steal This Music: How Intellectual Property Law Affects Musical Creativity159 cited
  • 2000Intertextuality and Hypertextuality in Recorded Popular Music106 cited
  • 2010I Did It My Way: Rock and the Logic of Covers88 cited
  • 2005Re‐flections on the Cover Age: A Collage of Continuous Coverage in Popular Music72 cited
  • 1997The Power of Black Music69 cited
  • 1984Rock and the Politics of Memory36 cited
  • 2002HIJACKED HITS AND ANTIC AUTHENTICITY:35 cited
  • 2001Pop music29 cited
  • 2015Still Like That Old Time Rock and Roll: Tribute Bands and Historical Consciousness in Popular Music25 cited
  • 2013Judging Covers19 cited
  • 2017Pat Boone’s last laugh: Cover versions and the performance of knowledge

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