Alone in the Crowd? Live Music Audiences and Individual Experience

Abstract

Abstract Academic inquiries into the motivations and experiences of live music audiences have typically focused on the communal and social experience of concerts and festivals, whereas the experience of individual concertgoers has been relatively unexplored, especially in popular music contexts. In this article, qualitative interviews and focus groups were undertaken with self-declared progressive rock fans to understand their often-individualised engagement with the live music experience. The findings demonstrate the importance of live music performance and appreciation, attentive listening, and detailed personal evaluation of the musicians and their performances to these fans. The co-presence of others in the live music setting served to legitimise not only these fans’ tastes in music but also their individualised way of engaging with, experiencing, and enjoying the concert experience: their preference for the ‘text’ over ‘context’.

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