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Alone in the Crowd? Live Music Audiences and Individual Experience
16 references·0 citing·39 second hop
Alone in the Crowd? Live Music Audiences and Individual Experience (2025)Alone in the Crowd? Live Music Audiences …Music strengthens prosocial effects of interpersonal synchronization – If you move in time with the beat (2017)Music strengthens prosocial e…Why go to pop concerts? The motivations behind live music attendance (2016)Why go to pop concerts? The m…Live Concert Performance: An Ecological Approach (2016)Live Concert Performance: An …Coughing and clapping: investigating audience experience (2015)Coughing and clapping: invest…The Festivalization of Culture (2014)The Festivalization of CulturePatterns of listening through social media: online fan engagement with the live music experience (2012)Patterns of listening through…Bridging and bonding: social capital at music festivals (2011)Bridging and bonding: social …Understanding Jazz Audiences: Listening and Learning at the Edinburgh Jazz and Blues Festival (2010)Understanding Jazz Audiences:…The symbolic consumption of music (2010)The symbolic consumption of m…Putting a Glitch in the Field: Bourdieu, Actor Network Theory and Contemporary Music (2008)Putting a Glitch in the Field…Liveness (2008)LivenessThe SAGE Handbook of Grounded Theory (2007)The SAGE Handbook of Grounded…Live Music Matters (2007)Live Music MattersTramps Like Us (1998)Tramps Like UsRocking the Classics (1997)Rocking the ClassicsMotives of visitors attending festival events (1997)Motives of visitors attending…Distinction: A Social Critique of the Judgement of Taste. (1985)Textual poachers : television fans & participatory culture (1992)Tactile digital ethnography: Researching mobile media through the hand (2015)Distinction: A Social Critique of the Judgement of Taste* (2018)Staying in, rocking out: Online live music portal shows during the coronavirus pandemic (2020)Stages, Platforms, Streams: The Economies and Industries of Live Music after Digitalization (2021)Bowling alone (2000)Bowling alone: the collapse and revival of American community (2000)Exploring the Social Impacts of Events (2013)Evaluating the brand image of a rock festival using positive critical incidents (2017)Events, social connections, place identities and extended families (2018)A theory of human motivation. (1943)A Paradigm for Developing Better Measures of Marketing Constructs (1979)Segmentation of festival motivation by nationality and satisfaction (2003)A Marketing Approach to the Tourist Experience (2007)Progress and prospects for event tourism research (2015)A THEORY OF HUMAN MOTIVATION (2017)The importance of music to adolescents (2000)Using thematic analysis in psychology (2006)Why do we listen to music? A uses and gratifications analysis (2010)Music Audiences 3.0: Concert-Goers’ Psychological Motivations at the Dawn of Virtual Reality (2017)Abductive Theory Construction (2021)Routledge Handbook of Qualitative Research in Sport and Exercise (2016)Flexible Coding of In-depth Interviews: A Twenty-first-century Approach (2018)Grounded theory research: A design framework for novice researchers (2019)Preschool Teachers’ Use of Music in the Classroom: A Survey of Park District Preschool Programs (2017)The audience as artist? The audience’s experience of participatory music (2019)The Aestheticization of Hybrid Space: The Atmosphere of the Locarno Film Festival (2019)Events and sustainability: why making events more sustainable is not enough (2021)“It's Like a Drive by Misogyny”: Sexual Violence at UK Music Festivals (2022)Music, media and urban mythscapes: a study of the ‘Canterbury Sound’ (2002)Retrospective Cultural Consecration in Popular Music (2005)La Flûte Indienne: The Early History of Andean Folkloric-Popular Music in France and its Impact on Nueva Canción (2008)In the here and now: Enhanced motor corticospinal excitability in novices when watching live compared to video recorded dance (2013)Sight over sound in the judgment of music performance (2013)Live-streaming, games and politics of gender performance: The case of Nüzhubo in China (2017)Celebrity Politicians: Popular Culture and Political Representation (2004)Making Monsters: Lady Gaga, Fan Identification, and Social Media (2013)An emergent algorithmic culture: The data-ization of online fandom in China (2020)
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References

  • 2007The SAGE Handbook of Grounded Theory2,795 cited
  • 1997Motives of visitors attending festival events1,194 cited
  • 2008Liveness630 cited
  • 2014The Festivalization of Culture202 cited
  • 1998Tramps Like Us179 cited
  • 2016Why go to pop concerts? The motivations behind live music attendance149 cited
  • 2015Coughing and clapping: investigating audience experience134 cited
  • 2011Bridging and bonding: social capital at music festivals133 cited
  • 2012Patterns of listening through social media: online fan engagement with the live music experience132 cited
  • 1997Rocking the Classics104 cited
  • 2008Putting a Glitch in the Field: Bourdieu, Actor Network Theory and Contemporary Music103 cited
  • 2017Music strengthens prosocial effects of interpersonal synchronization – If you move in time with the beat83 cited
  • 2010The symbolic consumption of music77 cited
  • 2016Live Concert Performance: An Ecological Approach76 cited
  • 2007Live Music Matters75 cited
  • 2010Understanding Jazz Audiences: Listening and Learning at the Edinburgh Jazz and Blues Festival

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