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Processual Tonality and the Psychoacoustics of Chromaticism
16 references·0 citing·26 second hop
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References

  • 2006Elements of Sonata Theory644 cited
  • 1998Classical Form529 cited
  • 1988Generalized Musical Intervals and Transformations487 cited
  • 2002The Cambridge History of Western Music Theory449 cited
  • 2006The Oxford History of Western Music448 cited
  • 1963Perspectives of New Music381 cited
  • 1996Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions376 cited
  • 1994Musical meaning in Beethoven: markedness, correlation, and interpretation350 cited
  • 1986Music Theory, Phenomenology, and Modes of Perception319 cited
  • 1998Introduction to Neo-Riemannian Theory: A Survey and a Historical Perspective305 cited
  • 2011A geometry of music: harmony and counterpoint in the extended common practice292 cited
  • 1953Structural Hearing; Tonal Coherence in Music246 cited
  • 2012Audacious EuphonyChromatic Harmony and the Triad's Second Nature237 cited
  • 1982Harmony and Voice Leading225 cited
  • 1994Rameau and Musical Thought in the Enlightenment213 cited
  • 1994Music Analysis in the Nineteenth Century

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