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From Questions to Inferences: Methodological Principles for the Use of Experimental Archaeology in Rock Art Research
16 references·1 citing·45 second hop
From Questions to Inferences: Methodological Principles for the Use of Experimental Archaeology in Rock Art Research (2025)From Questions to Inferences: Methodologi…Controls, conceits, and aiming for robust inferences in experimental archaeology (2024)Controls, conceits, and aimin…Rock Art Painting Taphonomy: the Role of Environmental and Technological Factors (2023)Rock Art Painting Taphonomy: …De las huellas a las técnicas: un abordaje experimental de las formas de aplicación de las pinturas rupestres de La Candelaria (Catamarca) (2023)De las huellas a las técnicas…Tools Used in Tagar Rock Art: Findings of an Experimental Traceological Study (2022)Tools Used in Tagar Rock Art:…The Acoustics of Aggregation Sites: Listening to the Rock Art Landscape of Cuevas de la Araña (Spain) (2022)The Acoustics of Aggregation …Lithic or metal tools: Techno-traceological and 3D analysis of rock art (2019)Lithic or metal tools: Techno…Identification of plant cells in black pigments of prehistoric Spanish Levantine rock art by means of a multi-analytical approach. A new method for social identity materialization using chaîne opératoire (2017)Identification of plant cells…Experimental Design and Experimental Inference in Stone Artifact Archaeology (2017)Experimental Design and Exper…Test, Model, and Method Validation: The Role of Experimental Stone Artifact Replication in Hypothesis-driven Archaeology (2016)Test, Model, and Method Valid…RSM Simplified (2016)RSM SimplifiedIn search of the optimum Raman/IR signatures of potential ingredients used in San/Bushman rock art paint (2013)In search of the optimum Rama…Cultural Evolution (2011)Cultural EvolutionIntroduction to experimental archaeology (2008)Introduction to experimental …The Use of Lithic Artefacts for Making Rock Art Engravings: Observation and Analysis of Use-Wear Traces in Experimental Tools Through Optical Microscopy and SEM (2001)The Use of Lithic Artefacts f…La préparation des peintures magdaléniennes des cavernes ariégeoises (1990)La préparation des peintures …An Experiment with Cave-Painting Media (Clanwilliam Area, Cape Province) (1957)An Experiment with Cave-Paint…Grinding Charcoal for Rock Painting: A Methodological Framework for Particle-Size Analysis in Rock Art Micro-Samples (2026)Grinding Charcoal for Rock Pa…Les manifestations graphiques aurignaciennes sur support rocheux des environs des Eyzies (Dordogne) (1978)Experimental Determination of Stone Tool Uses: A Microwear Analysis. (1981)Engraved ochres from the Middle Stone Age levels at Blombos Cave, South Africa (2009)Paleolithic Art: A Cultural History (2013)Prehistoric technology (2015)Documenting scarce and fragmented residues on stone tools: an experimental approach using optical microscopy and SEM-EDS (2018)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)A 100,000-Year-Old Ochre-Processing Workshop at Blombos Cave, South Africa (2011)Micro-spectroscopic analysis of pigments and carbonization layers on prehispanic rock art at the Oyola's caves, Argentina, using a stratigraphic approach (2016)On‐site Raman study of artwork: Procedure and illustrative examples (2017)The combined use of SEM-EDX, Raman, ATR-FTIR and visible reflectance techniques for the characterisation of Roman wall painting pigments from Monte d’Oro area (Rome): an insight into red, yellow and pink shades (2021)The Structure of Scientific Revolutions (1963)Processing ochre in the Middle Stone Age: Testing the inference of prehistoric behaviours from actualistically derived experimental data (2011)Archaeology by Experiment (2014)On doing relevant and rigorous experiments: Review and recommendations (2018)Fire As an Engineering Tool of Early Modern Humans (2009)Experimental evidence for the co-evolution of hominin tool-making teaching and language (2015)Measuring behavioural and cognitive complexity in lithic technology throughout human evolution (2017)Archaeology and the Origins of Human Cumulative Culture: A Case Study from the Earliest Oldowan at Gona, Ethiopia (2019)Understanding stone tool-making skill acquisition: Experimental methods and evolutionary implications (2019)On-line FT-Raman and dispersive Raman spectra database of artists’ materials (e-VISART database) (2005)The Oxford Handbook of the Archaeology of Ritual and Religion (2011)Raman spectroscopy for the investigation of carbon‐based black pigments (2015)Hunting scenes in Spanish Levantine rock art: An unequivocal chrono-cultural marker of Epipalaeolithic and Mesolithic Iberian societies? (2018)Proteomic and metagenomic insights into prehistoric Spanish Levantine Rock Art (2018)Μicro-Raman spectroscopy for the characterization of rock-art pigments from Abrigo del Águila (Badajoz – Spain) (2018)Perception and the Representative Design of Psychological Experiments (1956)Experimental and Quasi-Experimental Designs for Research (1963)Experimental Design: Procedures for the Behavioral Sciences (2013)Knowledge vs. know-how? Dissecting the foundations of stone knapping skill (2020)Early knapping techniques do not necessitate cultural transmission (2022)Population Growth: Anthropological Implications. (1973)The Identification of Prehistoric Hunter-Gatherer Aggregation Sites: The Case of Altamira [and Comments and Reply] (1980)The Lifeways of Hunter-Gatherers (2013)Performance theory: a growing interest in rock art research (2022)Acoustic perception and emotion evocation by rock art soundscapes of Altai (Russia) (2023)The Bacinete Main Shelter: A Prehistoric Theatre? (2023)Gender and prehistoric technology: On the social agency of technical strategies (1995)The revolution that wasn't: a new interpretation of the origin of modern human behavior (2000)The technology of the earliest European cave paintings: El Castillo Cave, Spain (2016)Cultural Niche Construction: An Introduction (2011)How Darwinian is cultural evolution? (2014)Cultural Evolution: A Review of Theory, Findings and Controversies (2015)Statistical Design of Experiments for Screening and Optimization (2019)
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References

  • 2011Cultural Evolution711 cited
  • 2016Test, Model, and Method Validation: The Role of Experimental Stone Artifact Replication in Hypothesis-driven Archaeology208 cited
  • 2008Introduction to experimental archaeology175 cited
  • 2016RSM Simplified156 cited
  • 2017Experimental Design and Experimental Inference in Stone Artifact Archaeology99 cited
  • 1990La préparation des peintures magdaléniennes des cavernes ariégeoises70 cited
  • 2013In search of the optimum Raman/IR signatures of potential ingredients used in San/Bushman rock art paint65 cited
  • 2017Identification of plant cells in black pigments of prehistoric Spanish Levantine rock art by means of a multi-analytical approach. A new method for social identity materialization using chaîne opératoire56 cited
  • 2001The Use of Lithic Artefacts for Making Rock Art Engravings: Observation and Analysis of Use-Wear Traces in Experimental Tools Through Optical Microscopy and SEM41 cited
  • 2022The Acoustics of Aggregation Sites: Listening to the Rock Art Landscape of Cuevas de la Araña (Spain)23 cited
  • 2019Lithic or metal tools: Techno-traceological and 3D analysis of rock art23 cited
  • 2024Controls, conceits, and aiming for robust inferences in experimental archaeology19 cited
  • 1957An Experiment with Cave-Painting Media (Clanwilliam Area, Cape Province)15 cited
  • 2023

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Rock Art Painting Taphonomy: the Role of Environmental and Technological Factors
12 cited
  • 2023De las huellas a las técnicas: un abordaje experimental de las formas de aplicación de las pinturas rupestres de La Candelaria (Catamarca)7 cited
  • 2022Tools Used in Tagar Rock Art: Findings of an Experimental Traceological Study7 cited
  • Cited by

    • 2026Grinding Charcoal for Rock Painting: A Methodological Framework for Particle-Size Analysis in Rock Art Micro-Samples0 cited