Conventions, Genres, Practices in the Performance of Liszt’s Piano MusicI. Pace2006-01-01articleCity Research Online (City University London)35 citationsgreenNo readable copy stored yet — this record is metadata only.Musicology and Musical AnalysisDiverse Music Education InsightsArts and Performance StudiesAbstractNo abstract was published for this record.Citations in this libraryStored only when both papers are in the corpus — 35 citations exist upstream.References1995Nations and nationalism since 1780 programme, myth, reality1995The Romantic Generation2000Classical and Romantic performing practice, 1750-19001994The style hongrois in the music of Western Europe1987Revolution and Religion in the Music of Liszt1996Living with Liszt: From the Diary of Carl Lachmund, an American Pupil of Liszt, 1882-1884Cited by2012The performer and the composer2012Instrumental performance in the nineteenth century2012Vocal performance in the nineteenth century2012Performance in the ‘long eighteenth century’: an overview2012Instrumental performance in the twentieth century and beyond