The style hongrois in the music of Western Europe

Unknown author

1994-06-01otherChoice Reviews Online108 citationsclosed

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Musicology and Musical Analysis Theater, Performance, and Music History Literature, Musicology, and Cultural Analysis

Abstract

A study of the development of the style hongrois (Hungarian style), a specific musical language used by Western composers from the mid-18th through the 19th centuries (including Weber, Schubert, Liszt, and Brahms) to evoke the performances of Hungarian Gypsies. Annotation copyright Book News, Inc. P

Citations in this library

Stored only when both papers are in the corpus — 108 citations exist upstream.

Cited by

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2016Singing the Civilizing Mission in the Land of Bach, Beethoven, and Brahms: The Fisk Jubilee Singers in Nineteenth-Century Germany

2006Conventions, Genres, Practices in the Performance of Liszt’s Piano Music

1998Cutthroats and Casbah Dancers, Muezzins and Timeless Sands: Musical Images of the Middle East

2000Style Hongrois, Hungarian Elements in the Works of Haydn, Beethoven, Weber and Schubert

2013Turks, Hungarians, and Gypsies on Stage: Exoticism and Auto-Exoticism In Opera and Operetta