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The Geometry of Melodic, Harmonic, and Metrical Hierarchy
11 references·0 citing·29 second hop
The Geometry of Melodic, Harmonic, and Metrical Hierarchy (2009)The Geometry of Melodic, Harmonic, and Me…The Step-Class Automorphism Group in Tonal Analysis (2009)The Step-Class Automorphism G…The Problem of Prolongation in "Tonal" Music: Terminology, Perception, and Expressive Meaning (1997)The Problem of Prolongation i…Issues in Prolongational Theory: A Response to Larson (1997)Issues in Prolongational Theo…Disciplining music: musicology and its canons (1993)Disciplining music: musicolog…Disciplining Music: Musicology and Its Canons (1993)Disciplining Music: Musicolog…: Free Composition (Der Freie Satz): Vol. III of New Musical Theories and Fantasies . Heinrich Schenker, Ernst Oster. (1981): Free Composition (Der Freie…A Computer Aid for Schenkerian Analysis (1980)A Computer Aid for Schenkeria…The Stratification of Musical Rhythm (1977)The Stratification of Musical…The Stratification of Musical Rhythm (1976)The Stratification of Musical…Theory of Suspensions: A Study of Metrical and Pitch Relations in Tonal Music (1972)Theory of Suspensions: A Stud…College Music Symposium (1962)College Music SymposiumDie Vernunft in der Tradition: Neue mathematische Untersuchungen zu den alten Begriffen der Diatonizität (2016)Approximate Set Theory (2023)Cognitive constraints on compositional systems (1992)Uniformity, Balance, and Smoothness in Atonal Voice Leading (2003)Action and Agency Revisited (2013)Schenkerian Theory in the United States. A Review of Its Establishment and a Survey of Current Research Topics (2005)Becoming Heinrich Schenker: music theory and ideology (2015)The Butterfly Schema in the Classical Instrumental Style: A Product of the Tendency for Congruence (2019)"Something in the Way She Moves"-Metaphors of Musical Motion (2003)The Metaphor of Musical Space (2003)Composition, Perception, and Schenkerian Theory (2011)From lyric to anti-lyric: analyzing the words in pop song (2003)Popular music analysis: ten apothegms and four instances (2003)The End(s) of Genre (2013)The Concept of Musical Grammar (1983)Computers in Music Education (2000)Voice-Leading Transformation and Generative Theories of Tonal Structure (2015)Calculating Tonal Tension (1996)Crossmodal correspondences between sounds and tastes (2012)Music Theory and the White Racial Frame (2020)Rhythm, Rhyme, and Rhetoric in the Music of Public Enemy (1995)Fantasy Pieces (1999)Formal Functions of Metric Dissonance in Rock Music (2014)Musicology as a Political Act (1993)Analyzing Music under the New Musicological Regime (1997)That Ban(e) of Indian Music: Hearing Politics in The Harmonium (2011)Levels of structure in the organization of musical time (1987)Shifting the focus of attention between levels of musical structure (2002)Rhythmic Functions in Pop-Rock Music (2018)
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References

  • 1962College Music Symposium299 cited
  • 1976The Stratification of Musical Rhythm233 cited
  • 1981: Free Composition (Der Freie Satz): Vol. III of New Musical Theories and Fantasies . Heinrich Schenker, Ernst Oster.143 cited
  • 1993Disciplining music: musicology and its canons139 cited
  • 1993Disciplining Music: Musicology and Its Canons125 cited
  • 1977The Stratification of Musical Rhythm96 cited
  • 1997The Problem of Prolongation in "Tonal" Music: Terminology, Perception, and Expressive Meaning91 cited
  • 1980A Computer Aid for Schenkerian Analysis50 cited
  • 2009The Step-Class Automorphism Group in Tonal Analysis25 cited
  • 1972Theory of Suspensions: A Study of Metrical and Pitch Relations in Tonal Music20 cited
  • 1997Issues in Prolongational Theory: A Response to Larson12 cited

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