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Empiricism Without the Senses: How the Instrument Replaced the Eye
16 references·2 citing·25 second hop
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References

  • 1984The Art of Describing. Dutch Art in the Seventeenth Century475 cited
  • 1995Discipline and Experience442 cited
  • 1977Theories of Vision from Al-Kindi to Kepler406 cited
  • 1976Theories of Vision from Al-Kindi to Kepler398 cited
  • 1985The Art of Describing. Dutch Art in the Seventeenth Century366 cited
  • 1988Vision and Certitude in the Age of Ockham357 cited
  • 1995Species intelligibilis: From Perception to Knowledge286 cited
  • 1954Robert Grosseteste and the Origins of Experimental Science, 1100-1700.280 cited
  • 1997Discipline and Experience: The Mathematical Way in the Scientific Revolution272 cited
  • 1994Between Copernicus and Galileo219 cited
  • 1998The World and Other Writings215 cited
  • 1991Galileo, Bellarmine, and the Bible156 cited
  • 1956On painting and on sculpture : the Latin texts of De pictura and De statua155 cited
  • 2006Galileo's Instruments of Credit143 cited
  • 1972Galileo's intellectual revolution139 cited
  • 1981Vision and Certitude in the Age of Ockham: Optics, Epistemology and the Foundation of Semantics 1250-1345

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100 cited

Cited by

  • 2012Baroque Modes and the Production of Knowledge12 cited
  • 2011Nature’s drawing: problems and resolutions in the mathematization of motion12 cited