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Tapestry Conservation: Principles and Practice
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Tapestry Conservation: Principles and Practice (2006)Tapestry Conservation: Principles and Pra…Investigating Stitched Support Techniques for Tapestry Using Digital Image Correlation (2022)Investigating Stitched Suppor…Understanding the Role of Friction and Adhesion in the Display of Tapestries on Slanted Supports (2020)Understanding the Role of Fri…Investigating mechanical damage mechanisms of tapestries displayed at different angles using 2D DIC (2020)Investigating mechanical dama…Challenges of Restoration and Storage of a weak Historical Textiles in Uncontrolled Museum Conditions; Practical Applications (2019)Challenges of Restoration and…Developing a non-invasive tool to assess the impact of oxidation on the structural integrity of historic wool in Tudor tapestries (2017)Developing a non-invasive too…Tejidos domésticos. La complejidad de su conservación, restauración y exposición (2015)Tejidos domésticos. La comple…Attributes of Aesthetic Quality Used by Textile Conservators in Evaluating Conservation Interventions on Museum Costumes (2015)Attributes of Aesthetic Quali…The role of fibre identification in textile conservation (2009)The role of fibre identificat…Using digital and hand printing techniques to compensate for loss: Re‐establishing colour and texture in historic textiles (2008)Using digital and hand printi…Progress in strain monitoring of tapestries (2008)Progress in strain monitoring…State of the art: non-invasive interrogation of textiles in museum collections (2007)State of the art: non-invasiv…Preserving image and structure: tapestry conservation in Europe and the United States (2006)Preserving image and structur…High Performance Liquid Chromatography of Anthraquinones: Analysis of Plant and Insect Extracts and Dyed Textiles (1985)FT Raman microscopy of untreated natural plant fibres (1997)Identification of Cellulosic Fibres by FTIR Spectroscopy - Thread and Single Fibre Analysis by Attenuated Total Reflectance (2003)Studies in textile history : in memory of Harold B. Burnham (1977)Textiles Revealed: Object Lessons in Historic Textile and Costume Research (2001)Textile Conservator's Manual (2012)Rubens' painting as inspiration of a later tapestry: Non-invasive analyses provide insight into artworks’ history (2019)Nonlinear imaging and vibrational spectroscopic analysis of cellulosic fibres treated with COEX® flame-retardant for tapestry preservation (2022)Pigment analysis of portrait miniatures using Raman microscopy (1999)Near-infrared spectroscopic observation of the ageing process in archaeological wood using a deuterium exchange method (2005)Looking beneath Dalí's paint: non-destructive canvas analysis (2013)Conservation Science: Heritage Materials (2021)Non-invasive identification of historical textiles and leather by means of external reflection FTIR spectroscopy (2024)THE CONSERVATION OF A ROMAN EGYPTIAN PAINTED SHROUD FRAGMENT (1992)Restoration: Is it Acceptable? (1994)Porcelain Repair and Restoration (2002)Contemporary theory of conservation (2002)Conservation Treatment Methodology (2012)Chemical Principles of Textile Conservation (2000)Nondestructive Analysis and Dating of Historical Paper Based on IR Spectroscopy and Chemometric Data Evaluation (2007)Chemical Principles of Textile Conservation (2012)Portable Spectroscopy for Cultural Heritage (2021)Unveiling the composition of historical plastics through non-invasive reflection FT-IR spectroscopy in the extended near- and mid-Infrared spectral range (2021)A new approach for conservation treatment of a silk textile in Islamic Art Museum, Cairo (2011)Wroughte in gold and silk: Preserving the Art of Historic Tapestries (2009)Looking at textiles: a guide to technical terms (2012)Risk of Climate‐Induced Damage in Historic Textiles (2014)Criteria for Treatment: Reversibility (1987)Conservation skills: judgement, method and decision making (2001)Evaluation of the hygroexpansion of Japanese papers by digital image correlation (3D-DIC) and application to the study of the impact of inlay mounting on the strain of an albumen photographic print (2022)
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Cited by

  • 2017Developing a non-invasive tool to assess the impact of oxidation on the structural integrity of historic wool in Tudor tapestries28 cited
  • 2007State of the art: non-invasive interrogation of textiles in museum collections26 cited
  • 2020Investigating mechanical damage mechanisms of tapestries displayed at different angles using 2D DIC13 cited
  • 2009The role of fibre identification in textile conservation11 cited
  • 2006Preserving image and structure: tapestry conservation in Europe and the United States9 cited
  • 2008Using digital and hand printing techniques to compensate for loss: Re‐establishing colour and texture in historic textiles5 cited
  • 2020Understanding the Role of Friction and Adhesion in the Display of Tapestries on Slanted Supports5 cited
  • 2022Investigating Stitched Support Techniques for Tapestry Using Digital Image Correlation4 cited
  • 2015Attributes of Aesthetic Quality Used by Textile Conservators in Evaluating Conservation Interventions on Museum Costumes2 cited
  • 2019Challenges of Restoration and Storage of a weak Historical Textiles in Uncontrolled Museum Conditions; Practical Applications2 cited
  • 2008Progress in strain monitoring of tapestries1 cited
  • 2015Tejidos domésticos. La complejidad de su conservación, restauración y exposición1 cited

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