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Cited by

• 2018Microspectrofluorimetry and chemometrics for the identification of medieval lake pigments55 cited
• 2017Identification by Raman spectroscopy of pararealgar as a starting material in the synthesis of amorphous arsenic sulfide pigments51 cited
• 2012Shades of green in 15th century paintings: combined microanalysis of the materials using synchrotron radiation XRD, FTIR and XRF50 cited
• 2004Organic materials in wall paintings: the historical and analytical literature44 cited
• 2007Application of Raman microscopy to the characterization of different verdigris variants obtained using recipes from old treatises40 cited
• 2019Regional patterns in medieval European glass composition as a provenancing tool40 cited
• 2021Organic colorants based on lac dye and brazilwood as markers for a chronology and geography of medieval scriptoria: a chemometrics approach37 cited
• 2018Assessing the stability of arsenic sulfide pigments and influence of the binding media on their degradation by means of spectroscopic and electrochemical techniques36 cited
• 2023The fresco wall painting techniques in the Mediterranean area from Antiquity to the present: A review29 cited
• 2003Les laques de brésil dans I'enluminure médiévale28 cited
• 2014Micro infrared spectroscopy discrimination capability of compounds in complex matrices of thin layers in real sample coatings from artworks28 cited
• 2018Study of dry‐ and wet‐process amorphous arsenic sulfides: Synthesis, Raman reference spectra, and identification in historical art materials