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Contrapuntal techniques in the music of György Ligeti
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Contrapuntal techniques in the music of György Ligeti (1989)Contrapuntal techniques in the music of G…‘Rules as Strict as Palestrina's’: The Regulation of Pitch and Rhythm in Ligeti's Requiem andLux aeterna (2013)‘Rules as Strict as Palestrin…Counterpoint and polyphony in recent instrumental works of John Adams (2007)Counterpoint and polyphony in…Chopin, Pygmies, and Tempo Fugue (1997)Chopin, Pygmies, and Tempo Fu…Voice Leading as a Spatial Function in the Music of Ligeti (1994)Voice Leading as a Spatial Fu…The Technique of My Musical Language (1957)The Structure of Atonal Music (1973)Fantasy pieces: metrical dissonance in the music of Robert Schumann (2000)Finding Slonimsky'sThesaurus of Scales and Melodic Patternsin Two Concerti by John Adams (2015)The Style of Palestrina and the Dissonance (1946)Stocktakings from an apprenticeship (1992)György Ligeti and the Rhetoric of Autonomy (2004)Stepwise Continuity as a Structural Determinant in György Ligeti's Ten Pieces for Wind Quintet (1985)Inaudible Structures, Audible Music: Ligeti's Problem, and His Solution (1987)Orientations, Criteria, Segments: A General Theory of Segmentation for Music Analysis (2001)The Emergence of Timbre: Ligeti's Synthesis of Electronic and Acoustic Music in Atmosphères (2010)Statistical Form amongst the D armstadt School (2014)The Pattern-Meccanico Compositions of György Ligeti (1993)Experimental Actions, the Outcomes of WhichAreForeseen: Experiment and Tradition in Conlon Nancarrow's Studies nos 21 and 36 for Player Piano (2008)
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  • 1994Voice Leading as a Spatial Function in the Music of Ligeti32 cited
  • 2007Counterpoint and polyphony in recent instrumental works of John Adams5 cited
  • 1997Chopin, Pygmies, and Tempo Fugue3 cited
  • 2013‘Rules as Strict as Palestrina's’: The Regulation of Pitch and Rhythm in Ligeti's Requiem andLux aeterna2 cited

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