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Cited by

• 2008From Haute Couture to High Street: The Role of Shows and Fairs in Twentieth-Century Fashion13 cited
• 1999The Red Center: The Quest for “Authenticity” in Australian Dress9 cited
• 2003From Booth to Shop to Shopping Mall: Continuities in Consumer Spaces from 1650 to 20009 cited
• 2009Advertising Ready-Made Style: The Evidence of the Stationers' Hall Archive5 cited
• 2008Second skin: Annette Kellerman, the modern swimsuit, and an Australian contribution to global fashion5 cited
• 2015A question of order: the role of collective taste as a strategy to cope with demand uncertainty in the womenswear fashion industry3 cited
• 2014The Hodson Shop3 cited
• 2009Redfern Limited, 1892 to 19403 cited
• 2021The re-collection of the Ryerson fashion research collection3 cited
• 2000Dressed to Kill: Clothes, Cultural Meaning and First World War Women Munitions Workers2 cited
• 2020Fashioning the Academic and Private Self: The Clothing of Johanna Westerdijk in the Context of her Biography1 cited