:Modal Counterpoint, Renaissance Style

W. Richard Bowen

15 citations0/0 files storedSixteenth Century Journal

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Musicology and Musical Analysis Renaissance Literature and Culture Renaissance and Early Modern Studies

Abstract

1. Mode 2. General Rules 3. First Species 4. Second Species 5. Third species 6. Fourth Species 7. Fifth Species 8. Counterpoint with Repetition of a Motive 9. Motivic Variation 10. Cadence Formulas 11. Two Parts in Mixed Values 12. the Imitative Duo 13. Invertible Counterpoint 14. Three Parts 15. Three Parts in Mixed Values 16. The three-Vice Invertible Canon 18. Adding three parts in Mixed Values to a Cantus Firmus 19. Four Parts in Mixed Values 20. Composing a Whole Piece APPENDIX 1: TEXT SETTING APPENDIX 2: IMPROVISATION AND ORNAMENTATION APPENDIX 3: SOLMIZATION APPENDIX 4: SOME MOTIVE PLACEMENTS GLOSSARY AND INDEX BIBLIOGRAPHY

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2012Exploring the Rhythm of the Palestrina Style 2015The origins of pervasive imitation 2019Uniform Information Density in Music 2015Recent Trends in the Study of Music of the Fourteenth, Fifteenth, and Sixteenth Centuries 2020Contrapunto Fugato: A First Step Toward Composing in the Mind 2014Unpacking the Box in Frescobaldi’s Ricercari of 1615

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