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:Modal Counterpoint, Renaissance Style
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:Modal Counterpoint, Renaissance Style (2001):Modal Counterpoint, Renaissance StyleContrapunto Fugato: A First Step Toward Composing in the Mind (2020)Contrapunto Fugato: A First S…Uniform Information Density in Music (2019)Uniform Information Density i…The origins of pervasive imitation (2015)The origins of pervasive imit…Recent Trends in the Study of Music of the Fourteenth, Fifteenth, and Sixteenth Centuries (2015)Recent Trends in the Study of…Unpacking the Box in Frescobaldi’s Ricercari of 1615 (2014)Unpacking the Box in Frescoba…Exploring the Rhythm of the Palestrina Style (2012)Exploring the Rhythm of the P…Syntactic Structures (1957)ASPECTS OF THE THEORY OF SYNTAX (1964)Metrical Stress Theory: Principles and Case Studies (1995)An Information Theoretic Approach to Chord Categorization and Functional Harmony (2015)Chord Context and Harmonic Function in Tonal Music (2018)Dynamic cluster structure and predictive modelling of music creation style distributions (2022)The Interpretation of Music (1955)The modern invention of medieval music: scholarship, ideology, performance (2003)Medieval Music and the Art of Memory (2005)Of Two Arias and Nine Ragas: Analysing Monteverdi through a Karnatik Lens (2022)Three Centuries of Harpsichord Making (1966)Counterpoint pedagogy in the Renaissance (2002)Hidden Forms in Palestrina's First Book of Four-Voice Motets (2007)Le Istitutioni Harmoniche (1967)From Maker to Composer: Improvisation and Musical Authorship in the Low Countries, 1450-1500 (1996)The Oxford history of western music (2004)Thomas Campion’s “Chordal Counterpoint” and Tallis’s Famous Forty-Part Motet (2018)Compositional Artifice in the Music of Henry Purcell (2019)Metric Manipulations in Post-Tonal Music (2020)Conflict, arousal, and curiosity. (1960)Statistical learning of tone sequences by human infants and adults (1999)The Smooth Signal Redundancy Hypothesis: A Functional Explanation for Relationships between Redundancy, Prosodic Prominence, and Duration in Spontaneous Speech (2004)Entropy of Fourier coefficients of periodic musical objects (2020)Melodic Transformation in George Garzone’s Triadic Chromatic Approach; or, Jazz, Math, and Basket Weaving (2022)The evolution of syncopation in twentieth-century American popular music (2022)Studies in the History of Italian Music and Music Theory (1994)Composers at Work (1997)The Cambridge History of Western Music Theory (2002)Sometimes the Music Wins (2021)
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  • 2012Exploring the Rhythm of the Palestrina Style10 cited
  • 2015The origins of pervasive imitation9 cited
  • 2019Uniform Information Density in Music9 cited
  • 2015Recent Trends in the Study of Music of the Fourteenth, Fifteenth, and Sixteenth Centuries7 cited
  • 2020Contrapunto Fugato: A First Step Toward Composing in the Mind4 cited
  • 2014Unpacking the Box in Frescobaldi’s Ricercari of 16153 cited

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