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Citation and authority in medieval and Renaissance musical culture : learning from the learned
0 references·16 citing·30 second hop
Citation and authority in medieval and Renaissance musical culture : learning from the learned (2005)Citation and authority in medieval and Re…The Motet in the Late Middle Ages (2023)The Motet in the Late Middle …The Motet Collection of San Lorenzo 2211 (SL2211) and the Composer Hubertus de Salinis (2023)The Motet Collection of San L…The Fourteenth-Century Italian Motet (2023)The Fourteenth-Century Italia…Fauvel and Marigny: Which Came First? (2023)Fauvel and Marigny: Which Cam…Renaissance Polyphony (2020)Renaissance PolyphonyCadential Syntax and Tonal Expectation in Late Sixteenth-Century Homophony (2018)Cadential Syntax and Tonal Ex…Approaching renaissance music using Taneyev's theories of movable counterpoint (2018)Approaching renaissance music…Finding Fortune in Motet 13: insights on ordering and borrowing in Machaut's motets (2017)Finding Fortune in Motet 13: …Quotation, perfection and the eloquence of form: introducingBeatius/Cum humanum (2015)Quotation, perfection and the…Angels and the Order of Heaven in Medieval and Renaissance Italy (2014)Angels and the Order of Heave…The sound of beauty (2013)The sound of beautySensory Experience in Medieval Devotion: Sound and Vision, Invisibility and Silence (2013)Sensory Experience in Medieva…CONTRAFACTA AND TRANSCRIBED MOTETS: VERNACULAR INFLUENCES ON LATIN MOTETS AND CLAUSULAE IN THE FLORENCE MANUSCRIPT (2013)CONTRAFACTA AND TRANSCRIBED M…Morley's rule for first-species canon (2006)Morley's rule for first-speci…Caustun's Contrafacta (2006)Caustun's ContrafactaAlexander Agricola and intuitive syllable deployment (2006)Alexander Agricola and intuit…Renaissance and Renewal in the Twelfth Century. (1986)Censorship and Cultural Change in Late-Medieval England: Vernacular Theology, the Oxford Translation Debate, and Arundel's Constitutions of 1409 (1995)The Memory of the Eyes (2000)The Bronze Object in the Middle Ages (2016)Notation Cultures: Towards an Ethnomusicology of Notation (2019)From the Material to the Mystical in Late Medieval Piety (2021)Discarding images: reflections on music and culture in medieval France (1994)Hearing the motet: essays on the motet of the Middle Ages and Renaissance (1997)The Sense of SoundMusical Meaning in France, 1260-1330 (2012)The Earliest Source of Notre-Dame Polyphony? A New Conductus Fragment from the Early Thirteenth Century (2016)Rape and Repentance in Two Medieval Motets (2017)Songs of Nature in Medieval Northern France: Landscape, Identity, and Environment (2019)On Sonority in Fourteenth-Century Polyphony: Some Preliminary Reflections (1986)ENCOMPASSING PAST AND PRESENT: QUOTATIONS AND THEIR FUNCTION IN MACHAUT'S MOTETS (2001)Words and music in Machaut's Motet 9 (2003)Emotion and Meaning in Music (1957)Emotion and Meaning in Music (1961)Toward an Aesthetic of Reception. (1982)Feedback and Feedforward Models of Musical Key (2018)The Brut, or, The chronicles of England (1960)Medieval Music and the Art of Memory (2005)Renaissance Quarterly (2016)The Complete Works (1943)Augustine of Hippo: A Biography (1968)Likeness and presence: a history of the image before the era of art (1994)Music, Silence, and the Senses in a Late Fifteenth-Century Book of Hours (2017)Discant, Counterpoint, and Harmony (1962)Music, Body, and Desire in Medieval Culture: Hildegard of Bingen to Chaucer (2003)Listening to the SirensMusical Technologies of Queer Identity from Homer to Hedwig (2005)Intelligibility Redux (2017)
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  • 2013Sensory Experience in Medieval Devotion: Sound and Vision, Invisibility and Silence81 cited
  • 2013The sound of beauty68 cited
  • 2023Fauvel and Marigny: Which Came First?48 cited
  • 2013CONTRAFACTA AND TRANSCRIBED MOTETS: VERNACULAR INFLUENCES ON LATIN MOTETS AND CLAUSULAE IN THE FLORENCE MANUSCRIPT45 cited
  • 2017Finding Fortune in Motet 13: insights on ordering and borrowing in Machaut's motets45 cited
  • 2023The Fourteenth-Century Italian Motet45 cited
  • 2023The Motet Collection of San Lorenzo 2211 (SL2211) and the Composer Hubertus de Salinis44 cited
  • 2023The Motet in the Late Middle Ages39 cited
  • 2014Angels and the Order of Heaven in Medieval and Renaissance Italy25 cited
  • 2018Cadential Syntax and Tonal Expectation in Late Sixteenth-Century Homophony24 cited
  • 2018Approaching renaissance music using Taneyev's theories of movable counterpoint24 cited
  • 2020Renaissance Polyphony23 cited
  • 2006Alexander Agricola and intuitive syllable deployment22 cited
  • 2015Quotation, perfection and the eloquence of form: introducingBeatius/Cum humanum21 cited
  • 2006

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Morley's rule for first-species canon
19 cited
  • 2006Caustun's Contrafacta19 cited