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Beethoven's piano sonatas: a short companion
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Beethoven's piano sonatas: a short companion (2002)Beethoven's piano sonatas: a short compan…Beethoven’s Sonata “Appassionata” op. 57: An Interpreter’s Analysis (2023)Beethoven’s Sonata “Appassion…Re-examining Czerny’s and Moscheles’s Metronome Marks for Beethoven’s Piano Sonatas (2017)Re-examining Czerny’s and Mos…Improvisation: The Astonishing Bridge to Our Inner Music (2017)Improvisation: The Astonishin…Harmony in Beethoven (2016)Harmony in BeethovenAnalysis, Performance, and Images of Musical Sound: Surfaces, Cyclical Relationships and the Musical Work (2007)Analysis, Performance, and Im…‘Late’, Last, and Least: On Being Beethoven’s Quartet in F Major, op. 135 (2006)‘Late’, Last, and Least: On B…Musical Form and Musical Performance (1971)The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music (1993)The Timbre of Thai Classical Singing (2012)Postmodern Music/Postmodern Thought (2013)Anatomy of Criticism (1957)Metahistory. The Historical Imagination in Nineteenth-Century Europe. (1975)Tropics of Discourse: Essays in Cultural Criticism (1979)The Cambridge Companion to the Eroica Symphony (2020)Classic Music: Expression, Form, and Style (1981)Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Elements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata (2006)Early Recordings and Musical Style (1992)Early recordings and musical style: changing tastes in instrumental performance, 1900-1950 (1993)Classical and Romantic Performing Practice (2025)Improvisation: Its Nature And Practice In Music (1980)Thinking in Jazz (1994)Naturalizing Phenomenology: Issues in Contemporary Phenomenology and Cognitive Science (1999)Mimesis: The Representation of Reality in Western Literature (1953)Mimesis: The Representation of Reality in Western Literature (1954)Interpreting musical gestures, topics, and tropes: Mozart, Beethoven, Schubert (2005)
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  • 2006‘Late’, Last, and Least: On Being Beethoven’s Quartet in F Major, op. 13523 cited
  • 2007Analysis, Performance, and Images of Musical Sound: Surfaces, Cyclical Relationships and the Musical Work9 cited
  • 2017Re-examining Czerny’s and Moscheles’s Metronome Marks for Beethoven’s Piano Sonatas8 cited
  • 2017Improvisation: The Astonishing Bridge to Our Inner Music5 cited
  • 2023Beethoven’s Sonata “Appassionata” op. 57: An Interpreter’s Analysis4 cited
  • 2016Harmony in Beethoven4 cited

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