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Lateness and Brahms: Music and Culture in the Twilight of Viennese Liberalism
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  • 2019The Cambridge History of Music Criticism85 cited
  • 2013Tonal Pairing and Monotonality in Instrumental Forms of Beethoven, Schubert, Schumann, and Brahms57 cited
  • 2019Writing about Popular Music53 cited
  • 2013The Viennese symphony 1750 to 182735 cited
  • 2007Dvořák's Reception in Liberal Vienna: Language Ordinances, National Property, and the Rhetoric of Deutschtum30 cited
  • 2018Late Brahms, Ancient Modes24 cited
  • 2021Between Hoffmann and Goethe: The Young Brahms as Reader24 cited
  • 2013The Cambridge Companion to the Symphony22 cited
  • 2022Rethinking Brahms11 cited
  • 2016Schumann's a-Minor Mood8 cited
  • 2019Brahms's Elegies6 cited
  • 2019Stop the Press? The Changing Media of Music Criticism5 cited
  • 2006Music in History: The Perils of Method in Reception History5 cited
  • 2015Hausmusik for Cognoscenti: Some Formal Characteristics of Schumann's Late-Period Character Pieces for Instrumental Ensemble5 cited
  • 2013Cyclical thematic processes in the nineteenth-century symphony5 cited

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  • 2013Other classical repertories4 cited