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Cited by

• 2007The Musicology of Record Production55 cited
• 2008The Establishment of the Virtual Performance Space in Rock37 cited
• 2018Vision, Voice, and Cinematic Presence24 cited
• 2013Steelin' the Slide: Hawai'i and the Birth of the Blues Guitar22 cited
• 2015Social distance and the multimodal construction of the Other in sectarian song22 cited
• 2018Music and the Kárahnjúkar Hydropower Plant: Style, Aesthetics, and Environmental Politics in Iceland16 cited
• 2020Converting gambling to philanthropy and acts of patriotism: The case of “The world’s most Swedish gambling company”13 cited
• 2022Turn On, Tune In, Drift Off11 cited
• 2018Popular Music, Stars and Stardom10 cited
• 2008Sound, technology, and interpretation in subcultures of heavy music production8 cited
• 2021Brought to Life by the Voice: Playback Singing and Cultural Politics in South India7 cited
• 2019Ululation5 cited
• 2013Narrative, vocal staging and masculinity in the ‘Outlaw’ country music of Waylon Jennings5 cited
• 2018Bat City: Becoming with Bats in the Austin Music Scene4 cited
• 2020Sound Recordists, Workplaces, Technologies, and the Aesthetics of Punk