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Twentieth-Century Music: A History of Musical Style in Modern Europe and America
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Cited by

  • 2011Aspects of musical modernism: the Afrikaans song cycles of Cromwell Everson54 cited
  • 2008A Revisionist History of Twelve-Tone Serialism in American Music36 cited
  • 2007The Puccini Problem: Opera, Nationalism, and Modernity30 cited
  • 2007Dismantling a Dystopia: On the Historiography of Music in the Third Reich26 cited
  • 2011Chinese Musical Language Interpreted by Western Idioms: Fusion Process in the Instrumental Works by Chen Yi11 cited
  • 2019Composing Freedom: Elliott Carter’s ‘Self-Reinvention’ and the Early Cold War10 cited
  • 2011Not Just a Pretty Voice: Cathy Berberian as Collaborator, Composer and Creator8 cited
  • 2006The World According to Taruskin8 cited
  • 2004The Paths from and to Abstraction in Stockhausen's Gesang der Junglinge8 cited
  • 2015Gracias a la vida, Trío para un nuevo tiempo y el tercer período compositivo de Celso Garrido-Lecca6 cited
  • 2004Proclaiming the mainstream: Schoenberg, Berg, and Webern4 cited
  • 2009Schoenberg and the Radical Economies of Harmonielehre3 cited

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