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Contemporary Bushman Art, Identity Politics and the Primitivism Discourse
8 references·9 citing·33 second hop
Contemporary Bushman Art, Identity Politics and the Primitivism Discourse (2003)Contemporary Bushman Art, Identity Politi…The Bushmen of Southern Africa: A Foraging Society in Transition (2001)The Bushmen of Southern Afric…Tricksters and trancers: Bushman religion and society (2000)Tricksters and trancers: Bush…Miscast: negotiating the presence of the Bushmen (1998)Miscast: negotiating the pres…African art in transit (1994)African art in transitGone primitive: savage intellects, modern lives (1991)Gone primitive: savage intell…Land filled with flies: a political economy of the Kalahari (1990)Land filled with flies: a pol…Images of Power: Understanding Bushman Rock Art (1990)Images of Power: Understandin…The cultural biography of things: commoditization as process (1986)The cultural biography of thi…Cultures of Appropriation: Rock Art Ownership, Indigenous Intellectual Property, and Decolonisation (2024)Cultures of Appropriation: Ro…Contemporary Bushman Art: The Work of the !Xun Artist Flai Shipipa (2020)Contemporary Bushman Art: The…Therianthropes and Transformation in San Art (2019)Therianthropes and Transforma…The Enchantment and Disenchantment of the World of the San (2019)The Enchantment and Disenchan…The relevance of prehistoric rock art in the present (2017)The relevance of prehistoric …Closely Observed Animals, Hunter-Gatherers, and Visual Imagery in Upper Paleolithic Art (2017)Closely Observed Animals, Hun…Petite fabrique d’art au Kalahari ou de l’usage du concept d’artification en anthropologie (2015)Petite fabrique d’art au Kala…To exhibit or be exhibited: the visual art of Vetkat Regopstaan Boesman Kruiper (2014)To exhibit or be exhibited: t…Birds in the life of KhoeSan; With Particular Reference to Healing and Ostriches (2009)Birds in the life of KhoeSan;…Kalahari Hunter-Gatherers (1976)Cultural Survival Quarterly (2013)Interrogating the Sacred Art of Vetkat Regopstaan Boesman Kruiper (2017)Hip-hop and Decolonized Practices of Language Digitization among the Contemporary !Xun and Khwe Indigenous Youth of South Africa (2019)The Ritual Process: Structure and Anti-Structure (1976)The Giving Environment: Another Perspective on the Economic System of Gatherer-Hunters (1990)Having the stomach for it: a contribution to Neanderthal diets? (2013)Direct evidence for human exploitation of birds in the Middle Stone Age of South Africa: The example of Sibudu Cave, KwaZulu-Natal (2016)Witchcraft, Oracles and Magic Among the Azande (2017)Possessions and the Extended Self (1988)The Sacred and the Profane in Consumer Behavior: Theodicy on the Odyssey (1989)The Field behind the Screen: Using Netnography for Marketing Research in Online Communities (2002)Ethnography In/Of the World System: The Emergence of Multi-Sited Ethnography (1995)The Visible Evidence of Cultural Producers (2000)The Social and the Aesthetic: For a Post-Bourdieuian Theory of Cultural Production (2010)National Geographic: The Rooting of Peoples and the Territorialization of National Identity Among Scholars and Refugees (1992)Race and the Education of Desire (1995)Performing Autoethnography: An Embodied Methodological Praxis (2001)Through the Veil: San Rock Paintings and the Rock Face (1990)The Human Symbolic Revolution: A Darwinian Account (1995)African Archaeology (2005)Origins of the modern mind: three stages in the evolution of culture and cognition (1992)Hunter-gatherers and human evolution (2005)Ontological anthropology and the deferral of critique (2014)Seeing is deceiving: Rock art and the non-visual (2001)Frazer strikes back from the armchair: a new search for the animist soul* (2011)Embers of society: Firelight talk among the Ju/’hoansi Bushmen (2014)The Race of Hysteria: "Overcivilization" and the "Savage" Woman in Late Nineteenth-Century Obstetrics and Gynecology (2000)Displaying Sara Baartman, the ‘Hottentot Venus’ (2004)World Heritage and Cultural Economics (2006)Dimensions of variability in Northern Khoekhoe language and culture (2008)Macrofractures on bone-tipped arrows: analysis of hunter-gatherer arrows in the Fourie collection from Namibia (2012)A Palaeopathological Assessment of the Late 19th and Early 20th Century Khoesan (2014)
this work references cited by second hop

References

  • 1986The cultural biography of things: commoditization as process4,863 cited
  • 1991Gone primitive: savage intellects, modern lives1,234 cited
  • 1990Land filled with flies: a political economy of the Kalahari555 cited
  • 1998Miscast: negotiating the presence of the Bushmen335 cited
  • 2000Tricksters and trancers: Bushman religion and society297 cited
  • 1990Images of Power: Understanding Bushman Rock Art193 cited
  • 1994African art in transit168 cited
  • 2001The Bushmen of Southern Africa: A Foraging Society in Transition38 cited

Cited by

  • 2009Birds in the life of KhoeSan; With Particular Reference to Healing and Ostriches14 cited
  • 2014To exhibit or be exhibited: the visual art of Vetkat Regopstaan Boesman Kruiper12 cited
  • 2017The relevance of prehistoric rock art in the present6 cited
  • 2024Cultures of Appropriation: Rock Art Ownership, Indigenous Intellectual Property, and Decolonisation3 cited
  • 2017Closely Observed Animals, Hunter-Gatherers, and Visual Imagery in Upper Paleolithic Art1 cited
  • 2019The Enchantment and Disenchantment of the World of the San0 cited
  • 2019Therianthropes and Transformation in San Art

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0 cited
  • 2020Contemporary Bushman Art: The Work of the !Xun Artist Flai Shipipa0 cited
  • 2015Petite fabrique d’art au Kalahari ou de l’usage du concept d’artification en anthropologie0 cited