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Part 1: Museums and Contact Work Section Introduction 1. Yup'ik Elders in Museums: Fieldwork Turned on its Head 2. The Object in View: Aborigines, Melanesians and Museums 3. The Arts of the Sikh Kingdoms: Collaborating with a Community and 4. Integrating Native Views into Museum Procedures: Hope and Practice at the National Museum of the American Indian Part 2: Talking Visual Histories Section Introduction 5. Taking Photographs Home: The Recovery of Maori History 6. Looking to See: Reflections on Visual Repatriation in the Purari Delta, Gulf Province, Papua New Guinea 7. Remembering our Namesakes: Audience Reactions to Archival Film of King Island, Alaska 8. Snapshots on Dreaming: Photographs of the Past and Present Part 3: Community Collaboration in Exhibitions Section Introduction 9. How to Decorate a House: The Re-Negotiation of Cultural Representations at the University of British Columbia Museum of Anthropology 10. Curating 11. Objects, Agency and Museums: Continuing Dialogues Between the Torres Straits and Cambridge 12. Transforming Archaeology Through Practice: Strategies for Collaborative Archaeology and the Community Archaeology Project at Quseir, Egypt 13. Glenbow's Blackfoot Gallery: Working Towards Coexistence Afterword: Beyond the Frame
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