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White Boys, White Noise: Masculinities and 1980s Indie Guitar Rock
0 references·16 citing·48 second hop
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  • 2018Rethinking DIY culture in a post-industrial and global context72 cited
  • 2020DIY Music and the Politics of Social Media48 cited
  • 2012Perspectives on Males and Singing46 cited
  • 2008‘You've got to go to gigs to get gigs’: Indie musicians, eclecticism and the Brisbane scene40 cited
  • 2008Working musicians: exploring the rhetorical ties between musical labour and leisure32 cited
  • 2017Tracking Gendered Streams30 cited
  • 2014Hearing punk as blues25 cited
  • 2018Listening for the hiss: lo-fi liner notes as curatorial practices21 cited
  • 2015Just Like Hendrix: Whiteness and the Online Critical and Consumer Reception of Rock Music in the United States, 2003–201317 cited
  • 2011Music Makes You Smarter: A New Paradigm for Music Education? Perceptions and Perspectives from Four Groups of Elementary Education Stakeholders.16 cited
  • 2008Musical Miscegenation and the Logic of Rock and Roll: Homosocial Desire and Racial Productivity in “A Paler Shade of White”14 cited
  • 2011Formal and Informal Music Learning: Attitudes and Perspectives of Secondary School Non-Music Teachers12 cited
  • 2020“You’re Not Supposed to Be into Rock Music”: Authenticity Maneuvering in a White Configuration10 cited
  • 2011

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DEGREES OF FANDOM: AUTHENTICITY & HIERARCHY IN THE AGE OF MEDIA CONVERGENCE
9 cited
  • 2009A Guide to Essential American Indie Rock (1980–2005)8 cited
  • 2021Black Rap, White Rock: Non‐Declarative Culture and the Racialization of Cultural Categories6 cited