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The New Beats: Exploring the Music Culture and Attitudes of Hip-Hop
0 references·16 citing·54 second hopsampled
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(1995)Freaks, gold diggers, divas, and dykes: The sociohistorical development of adolescent African American women’s sexual scripts (2003)Misogyny in Rap Music (2009)English with an Accent (2012)The Chronicle of Higher Education (1977)The Audible Past (2003)YOURSECOND LIFE? (2006)The Political Economy of Communication (2012)Globalization and Its Discontents (2015)The hands of Donald Trump (2016)Representation: Cultural representations and signifying practices. (1997)Marketing management: analysis. planning. implementation and control (2000)Blackness and the Politics of Memory in the New Orleans Second Line (2001)The Software Slump?: Digital Music, the Democratisation of Technology, and the Decline of the Recording Studio Sector within the Musical Economy (2009)Dialectic of Enlightenment (2020)Outline of a Theory of Practice (1977)Discipline and Punish: The Birth of the Prison (1978)Imagined Communities. 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Product Features and Optimal Differentiation in Music (2017)Distinction: A Social Critique of the Judgement of Taste* (2018)Orality and Literacy (1982)The Black Atlantic: Modernity and Double Consciousness (1994)Beyond geography's visible worlds: a cultural politics of music (1997)Popular Culture as Oppositional Culture: Rap as Resistance (1997)Making beats: the art of sample-based hip-hop (2005)Chicano narrative: the dialectics of difference (1991)Rethinking race, revealing dilemmas: Imagining a new racial subject in race traitor (2002)Racial Authenticity in Rap Music and Hip Hop (2008)Playing With Fire: Cycles of Domestic Violence in Eminem and Rihanna's “Love the Way You Lie” (2012)ETC: A Review of General Semantics (2015)Power/Knowledge: Selected Interviews and Other Writings 1972-1977 (1980)Gender Trouble: Feminism and the Subversion of Identity (1991)Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment. (1992)Abject Femininity and Compulsory Masculinity on Jersey Shore (2014)Keeping Up with the Aspirations (2014)Wrecked (2014)Purity and Danger: An Analysis of Concepts of Pollution and Taboo (1967)The Truly Disadvantaged. The Inner City, the Underclass, and Public Policy. By William Julius Wilson. Chicago: University of Chicago Press, 1987. 254p. $19.95. (1988)The New Second Generation: Segmented Assimilation and its Variants (1993)GLOBAL BLACK SELF-FASHIONINGS: HIP HOP AS DIASPORIC SPACE (2008)Affiliation and alienation: hip‐hop, rap, and urban science education (2009)Global Ill-Literacies (2011)Escaping Embarrassment: Face-work in the Rap Cipher (2009)Flow (2019)Performing Epic or Telling Tales (2020)
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  • 2003New York Ricans from the Hip Hop Zone375 cited
  • 1997“The Chain Remain the Same” Communicative Practices in the Hip Hop Nation267 cited
  • 1995Rhythm, Rhyme, and Rhetoric in the Music of Public Enemy245 cited
  • 2005Freedom of Expression: Overzealous Copyright Bozos and Other Enemies of Creativity110 cited
  • 1999THE MUSIC BUSINESS AND RAP: BETWEEN THE STREET AND THE EXECUTIVE SUITE101 cited
  • 1996Hip hop: from live performance to mediated narrative95 cited
  • 2006Social Context and Musical Content of Rap Music, 1979-199591 cited
  • 1996A Furified Freestyle: Homer and Hip Hop82 cited
  • 1997The White Man’s Muscles56 cited
  • 1998Chicano ideology revisited: Rap music and the (re)articulation of Chicanismo45 cited
  • 2009Economics and the ecology of creativity: evidence from the popular music industry26 cited
  • 1997Mezz Mezzrow and the Voluntary Negro Blues24 cited
  • 2003Urban Spaces and Working-Class Expressions across the Black Atlantic: Tracing the Routes of Ska21 cited
  • 2001Keepin' It (Un)Real: Perusing the Boundaries of Hip Hop Culture20 cited
  • 1997Fists of Fury

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20 cited
  • 1999Breakdance, red eyed penguins, Vikings, grunge and straight rock'n'roll: The construction of place in musical discourse in Rudenga, east side Oslo19 cited