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Cited by

• 2003QUEERING THE CRIP OR CRIPPING THE QUEER?422 cited
• 2001Performance, Utopia, and the "Utopian Performative"259 cited
• 2003Choreographies of Protest227 cited
• 2000The Visible Evidence of Cultural Producers225 cited
• 2003AS GOOD AS IT GETS164 cited
• 2013Butch Queens Up in Pumps: Gender, Performance, and Ballroom Culture in Detroit144 cited
• 2002Critical Investments: AIDS, Christopher Reeve, and Queer/Disability Studies70 cited
• 2001Black Cat Fever: Manifestations of Manet's Olympia62 cited
• 2000(Re)Visions of Race: Contemporary Race Theory and the Cultural Politics of Racial Crossover in Documentary Theatre51 cited
• 2012Acts of Gaiety51 cited
• 2015Intersections of Race, Gender, and Sexuality46 cited
• 2006Skinny Bones #126-774-835-29: Thin Gay Bodies Signifying a Modern Plague40 cited
• 2010Tales of a Fighting Bobcat: An “Auto-archaeology” of Gay Identity Formation and Maintenance36 cited
• 2012“The People Inside My Head, Too”: Madness, Black Womanhood, and the Radical Performance of Lauryn Hill35 cited
• 2000Mythical Performativity: Relocating Aztlan in Chicana Feminist Cultural Productions