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Cited by

• 2004How a cognitive psychologist came to seek universal laws39 cited
• 1987Mirrors and Metaphors: Reflections on Schoenberg and Nineteenth-Century Tonality38 cited
• 1984Heinrich Schenker as an Interpreter of Beethoven's Piano Sonatas33 cited
• 1999Schenker's Mysterious Five23 cited
• 1996What's in a Motive? Schoenberg and Schenker Reconsidered16 cited
• 2008Tonality as Drama : Closure and Interruption in Four Twentieth-Century American Operas13 cited
• 1988Music as Drama12 cited
• 2002Heinrich Schenker9 cited
• 1997Gestalt phenomena in musical texture8 cited
• 1980On Structural Levels in Music8 cited
• 1999Kierkegaard, a Kiss, and Schumann's "Fantasie"6 cited
• 1986Schenker and Forte Reconsidered: Beethoven's Sketches for the Piano Sonata in E, Op. 1095 cited
• 2017Once a poor pitch singer, always a poor pitch singer? A bottom up study of factors that may support singing development4 cited
• 1992Text and Musical Gesture in Brahms's Vocal Duets and Quartets with Piano4 cited