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Mahler's Voices: Expression and Irony in the Songs and Symphonies
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Cited by

  • 2017Irony and Incomprehensibility: Beethoven's “Serioso” String Quartet in F Minor, Op. 95, and the Path to the Late Style56 cited
  • 2016Making an English Voice: Performing National Identity during the English Musical Renaissance32 cited
  • 2011“I have tried to capture you …”: Rethinking the “Alma” Theme from Mahler's Sixth Symphony25 cited
  • 2019‘Out of the Air’: Judith Weir’s Emergence in 1970s Britain, or Interpreting Creative Self-Censorship23 cited
  • 2016Musical Causality and Schubert’s Piano Sonata in A Major, D 959, First Movement17 cited
  • 2020The Beethoven Syndrome16 cited
  • 2017Varieties of Musical Irony: From Mozart to Mahler13 cited
  • 2020The Music of Pavel Haas10 cited
  • 2013Constructing a multivocal self : a critical autoethnography9 cited
  • 2016Rethinking Schubert6 cited
  • 2011Gustav Mahler's Second Century: Achievements in Scholarship and Challenges for Research4 cited
  • 2014Studying the Lied:4 cited
  • 2016Records of Inspiration4 cited
  • 2015Mahler's Early Summer Journeys through Vienna, or What Anthropomorphized Nature Tells Us4 cited
  • 2016

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From Song to Instrumental Style
3 cited
  • 2011The Breaking of the Voice3 cited