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Gamelan Gong Kebyar: The Art of Twentieth-Century Balinese Music
0 references·16 citing·54 second hop
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  • 2001Culture, Tourism and Cultural Tourism: Boundaries and frontiers in performances of Balinese music and dance52 cited
  • 2016Performance Practice in the Music of Steve Reich47 cited
  • 2009Music Institutions and the Transmission of Tradition36 cited
  • 2012Thoughts on an Interdiscipline: Music Theory, Analysis, and Social Theory in Ethnomusicology36 cited
  • 2021Counter Hegemony of Cultural Art Innovation against Art in Digital Media35 cited
  • 2012‘Seeing the bigger picture’: Experiential learning, applied ethnomusicology and the use of gamelan music in adult literacy education34 cited
  • 2010Agency, Leadership, and Gender Negotiation in Balinese Girls’ Gamelans34 cited
  • 2020The Cambridge Companion to Rhythm33 cited
  • 2011Generalized Representations of Musical Time and Periodic Structures32 cited
  • 2010Performing in the Shadows: Learning and Making Music as Ethnomusicological Practice and Theory31 cited
  • 2005Teletubbies in Paradise: Tourism, Indonesianisation and Modernisation in Balinese Music23 cited
  • 2001Reflections on music and meaning: Metaphor, signification and control in the Bulgarian case23 cited
  • 2003José Maceda and the Paradoxes of Modern Composition in Southeast Asia22 cited
  • 2014

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Forum on Transcription
18 cited
  • 2005The life of a Balinese temple: artistry, imagination, and history in a peasant village17 cited
  • 2013The time of music and the time of history16 cited