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Cited by

• 2014The urgent need for career preview: Student expectations and graduate realities in music and dance138 cited
• 2013Learning cultures and the conservatoire: an ethnographically-informed case study105 cited
• 2016Developing employability in higher education music102 cited
• 2015Blowing your own Trumpet: Exploring the Gendered Dynamics of Self-Promotion in the Classical Music Profession83 cited
• 2019Motivation to pursue a career in music: The role of social constraints in university music programs56 cited
• 2023Influences of human, social, and psychological capital on career adaptability: net and configuration effects32 cited
• 2022Music Performance Anxiety26 cited
• 2022Does social media pay for music artists? Quantitative evidence on the co-evolution of social media, streaming and live music25 cited
• 2013Music Business and the Experience Economy12 cited
• 2016Making mavericks: Preparing musicians for independent artistic culture11 cited
• 2020Navigating a performance livelihood: career trajectories and transitions for the classical singer6 cited
• 2023The place of master theses in music performance education in Sweden: subjects, purposes, justifications5 cited
• 2022Analyzing instrumental music education models: a four-dimension tool5 cited