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Samurai from outer space: understanding Japanese animation
0 references·15 citing·48 second hop
Samurai from outer space: understanding Japanese animation (1997)Samurai from outer space: understanding J…Cartoons vs. Manga Movies: A Brief History of Anime in the UK (2017)Cartoons vs. Manga Movies: A …The significance of anime as a novel animation form, referencing selected works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii (2014)The significance of anime as …Enchanting Tales and Imagic Stories: The Educational Benefits of Fanart Making (2013)Enchanting Tales and Imagic S…Cultural attraction, ‘soft power’ and proximity: the popularity of Japanese language in Hong Kong since the 1980s (2012)Cultural attraction, ‘soft po…Conceptualizing Anime And The Database Fantasyscape (2010)Conceptualizing Anime And The…Technologies of Perception: Miyazaki in Theory and Practice (2009)Technologies of Perception: M…The Significance of Manga in the Identity-Construction of Young American Adults: A Lacanian Approach (2006)The Significance of Manga in …Japan, the U.S. and the Globalization of Children's Consumer Culture (2005)Japan, the U.S. and the Globa…Girl wide web : girls, the Internet, and the negotiation of identity (2005)Girl wide web : girls, the In…‘Creating My Own Cultural and Spiritual Bubble’: Case of Cultural Consumption by Spiritual Seeker Anime Fans (2005)‘Creating My Own Cultural and…Towards the feminine sublime, or the story of 'a twinkling monad, shape-shifting across dimension': intermediality, fantasy and special effects in cyberpunk film and animation (2002)Towards the feminine sublime,…Eroticism for the masses: Japanese manga comiss and their assimilation into the U.S. (2002)Eroticism for the masses: Jap…Cartoons from Another Planet: Japanese Animation as Cross‐Cultural Communication (2001)Cartoons from Another Planet:…Cartoons from Another Planet: Japanese Animation as Cross-Cultural Communication (2001)Cartoons from Another Planet:…Techno‐Orientalism and media‐tribalism: On Japanese animation and rave culture (1999)Techno‐Orientalism and media‐…The Chrysanthemum and the Sword: Patterns of Japanese Culture (1978)Is There a Text in This Class? 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  • 2005Girl wide web : girls, the Internet, and the negotiation of identity157 cited
  • 1999Techno‐Orientalism and media‐tribalism: On Japanese animation and rave culture65 cited
  • 2002Eroticism for the masses: Japanese manga comiss and their assimilation into the U.S.37 cited
  • 2005Japan, the U.S. and the Globalization of Children's Consumer Culture33 cited
  • 2001Cartoons from Another Planet: Japanese Animation as Cross‐Cultural Communication28 cited
  • 2009Technologies of Perception: Miyazaki in Theory and Practice26 cited
  • 2001Cartoons from Another Planet: Japanese Animation as Cross-Cultural Communication20 cited
  • 2002Towards the feminine sublime, or the story of 'a twinkling monad, shape-shifting across dimension': intermediality, fantasy and special effects in cyberpunk film and animation18 cited
  • 2013Enchanting Tales and Imagic Stories: The Educational Benefits of Fanart Making12 cited
  • 2005‘Creating My Own Cultural and Spiritual Bubble’: Case of Cultural Consumption by Spiritual Seeker Anime Fans12 cited
  • 2017Cartoons vs. Manga Movies: A Brief History of Anime in the UK10 cited
  • 2010Conceptualizing Anime And The Database Fantasyscape7 cited
  • 2012Cultural attraction, ‘soft power’ and proximity: the popularity of Japanese language in Hong Kong since the 1980s6 cited

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  • 2006The Significance of Manga in the Identity-Construction of Young American Adults: A Lacanian Approach6 cited
  • 2014The significance of anime as a novel animation form, referencing selected works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii6 cited