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• 1994On the Tuning and Stretched Octave of Javanese Gamelans18 cited
• 1998The Social Meanings of Modal Practices: Status, Gender, History, and Pathet in Central Javanese Music17 cited
• 2019Exploring Creativity in Traditional Music17 cited
• 2001Musical Time Organization and Space Concept: A Model of Cross-Cultural Analogy12 cited
• 2017The History and Development of Lagu Seriosa in the Context of Musical Nationalism in Indonesia6 cited
• 1997Humor, Mischief, and Aesthetics in Javanese Gamelan Music5 cited
• 1978Notes toward a Grammar of Variation in Javanese Gender Playing5 cited
• 2013The emergence of the Chinese zheng : traditional context, contemporary evolution, and cultural identity5 cited
• 2015Retuning Javanese Identities: The Ironies of a Popular Genre3 cited
• 2017Sundanese Traditional Tone Sensitivity-Based Audiation Model of Salendro Musical Scale3 cited
• 2010A STAGE IN THE DEVELOPMENT OF CENTRAL JAVANESE GAMELAN MUSIC2 cited
• 2016Aconcept of time in China as this was manifest in Chinese science was the object of discussion in a lecture delivered by Professor Joseph Needham and published as Time and Eastern Man (1965). According to Needham, the Chinese viewed historical and biological time as a succession0 cited