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Copyrights and Copywrongs: The Rise of Intellectual Property and How it Threatens Creativity
0 references·16 citing·54 second hopsampled
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  • 2009Mapping the New Commons364 cited
  • 2013Looking Back, Looking Forward: Arts-Based Careers and Creative Work231 cited
  • 2009Composing for Recomposition: Rhetorical Velocity and Delivery201 cited
  • 2004The Sociology of Property Rights195 cited
  • 2009The Software Slump?: Digital Music, the Democratisation of Technology, and the Decline of the Recording Studio Sector within the Musical Economy157 cited
  • 2009Digital Youth, Innovation, and the Unexpected150 cited
  • 2005On the reproduction of the musical economy after the Internet145 cited
  • 2006Why Napster matters to writing: Filesharing as a new ethic of digital delivery140 cited
  • 2012Creativity and Its Discontents122 cited
  • 2004Cultures of Music Piracy120 cited
  • 2006Say It Loud, I'm Black and I'm Proud: African Americans, American Artifactual Culture, and Black Vernacular Technological Creativity120 cited
  • 2005Freedom of Expression: Overzealous Copyright Bozos and Other Enemies of Creativity110 cited
  • 2010Rethinking the public/virtual sphere: The problem with participation108 cited
  • 2012Protecting indigenous cultural property in the age of digital democracy: Institutional and communal responses to Canadian First Nations and Māori heritage concerns

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104 cited
  • 2006Media Policy and Globalization95 cited
  • 2006Hollywood versus the Internet: the media and entertainment industries in a digital and networked economy71 cited