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Provenance: an alternate history of art
0 references·16 citing·48 second hop
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  • 2016Art as a Wartime Investment: Conspicuous Consumption and Discretion61 cited
  • 2019Itinerant Objects53 cited
  • 2015Growing in Motion: The Circulation of Used Things on Second-hand Markets52 cited
  • 2016Elemental fingerprinting of Kenya Rift Valley ochre deposits for provenance studies of rock art and archaeological pigments46 cited
  • 2019Assemblages of practice. A conceptual framework for exploring human–thing relations in archaeology44 cited
  • 2016Look to the earth: the search for ritual in the context of mound construction36 cited
  • 2019Provenances: Real, Fake, and Questionable24 cited
  • 2016What We Talk About When We Talk About Provenance: A Response to Chippindale and Gill22 cited
  • 2024ScrollTimes: Tracing the Provenance of Paintings as a Window Into History21 cited
  • 2025The Art of Status18 cited
  • 2016On Provenance and the Long Lives of Antiquities11 cited
  • 2017Caribbean Collections in European Museums and the Question of Returns11 cited
  • 2020Itineraries, iconoclasm, and the pragmatics of heritage10 cited
  • 2020“Sleeper” Antiquities: Misattributions in Sales of Ancient Art6 cited

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2025
Usage of the term provenance in LIS literature: An Annual Review of Information Science and Technology (ARIST) paper
3 cited
  • 2021“A SAGRAÇÃO E A COROAÇÃO DE D. PEDRO I”, DE JEAN-BAPTISTE DEBRET. SOBRE A TRAJETÓRIA DE UMA PINTURA HISTÓRICA2 cited