SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Experimentalism Otherwise: The New York Avant-Garde and Its Limits
0 references·16 citing·41 second hop
Experimentalism Otherwise: The New York Avant-Garde and Its Limits (2011)Experimentalism Otherwise: The New York A…Heiner Goebbels and Curatorial Composing after Cage (2022)Heiner Goebbels and Curatoria…That’s All It Does (2019)That’s All It DoesRethinking Reich (2019)Rethinking ReichMusicology Without Music (2019)Musicology Without MusicAfro-Electric Counterpoint (2019)Afro-Electric CounterpointThe Gay Divorce of Music and Dance: Choreomusicality and the Early Works of Cage-Cunningham (2018)The Gay Divorce of Music and …Interesting Haydn: On Attention's Materials (2018)Interesting Haydn: On Attenti…Enigmas of the Third Space: Mingus and Varèse at Greenwich House, 1957 (2018)Enigmas of the Third Space: M…Winning and Losing in Russian New Music Today (2014)Winning and Losing in Russian…The Musical Work Reconsidered, In Hindsight (2014)The Musical Work Reconsidered…Indeterminacy, Free Improvisation, and the Mixed Avant-Garde: (2014)Indeterminacy, Free Improvisa…‘Sound Effects (O.K., Music)’: Steve Reich and the Visual Arts in New York City, 1966–1968 (2014)‘Sound Effects (O.K., Music)’…Understanding Indeterminate Music through Performance: Cage's Solo for Piano (2013)Understanding Indeterminate M…John Cage and David Tudor: correspondence on interpretation and performance (2013)John Cage and David Tudor: co…CHANCE AND CERTAINTY: JOHN CAGE'S POLITICS OF NATURE (2013)CHANCE AND CERTAINTY: JOHN CA…In re: ‘Experimental Music’ (2012)In re: ‘Experimental Music’We have never been modern (1994)Pandora's Hope: Essays on the Reality of Science Studies (2000)Vibrant Matter: A Political Ecology of Things (2010)Capturing the World with Performance: John Cage's Probabilistic Aesthetics for the Digital Age (2019)The Logic of Scientific Discovery. (1959)Silence : lectures and writings (2011)The Logic of Scientific Discovery (2013)Experiment! Towards an artistic epistemology (2015)THE MUSIC OF LAURENCE CRANE AND A POST-EXPERIMENTAL PERFORMANCE PRACTICE (2015)John Cage and Peter Yates (2019)Culture and Power: The Sociology of Pierre Bourdieu (1999)Music in Everyday Life (2000)The iron cage revisited institutional isomorphism and collective rationality in organizational fields (2004)Funding “Opera for the 80s and Beyond”: The Role of Impresarios in Creating a New American Repertoire (2017)Music behind the Iron Curtain (2019)An Interview with John Cage (1965)The Music of John Cage (1993)PHENOMENOLOGY OF PERCEPTION (1963)Phenomenology of Perception. (1964)The archeology of knowledge (1995)The archaeology of knowledge ; and, The discourse on language (1972)The Black Atlantic: Modernity and Double Consciousness. (1997)Venus in Two Acts (2008)Categorising Electronic Music (2020)Theory on the South Side: Muhal Richard Abrams's Engagement with Joseph Schillinger's System of Musical Composition (2023)Unmarked: The Politics of Performance (1994)Music—Drastic or Gnostic? (2004)Performing remains art and war in times of theatrical reenactment (2011)George Balanchine’s Art of Choreographic Musicality in Tschaikovsky Pas de Deux (2022)A Treatise of Human Nature (1739)Reassembling the social: An introduction to actor‐network‐theory (2008)Distinction: A Social Critique of the Judgement of Taste* (2018)How to Read a Rondeau: On Pleasure, Analysis, and the Desultory in Amateur Performance Practice of the Eighteenth Century (2020)To “Fill Up, Completely, the Whole Capacity of the Mind”: Listening with Attention in Late Eighteenth-Century Scotland (2021)The Technological Society (1965)Dissensus: On Politics and Aesthetics (2010)Anne Teresa De Keersmaeker’sViolin Phaseand the Experience of Time, or Why Does Process Music Work? (2021)One-Dimensional Man: Studies in the Ideology of Advanced Industrial Society (2021)Periodicity-Based Descriptions of Rhythms and Steve Reich's Rhythmic Style (2021)The Cambridge Companion to Rhythm (2020)Abolitionist Music Theory and Marxism: Notes Toward a Reconciliation (2023)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2013CHANCE AND CERTAINTY: JOHN CAGE'S POLITICS OF NATURE55 cited
  • 2014‘Sound Effects (O.K., Music)’: Steve Reich and the Visual Arts in New York City, 1966–196839 cited
  • 2018The Gay Divorce of Music and Dance: Choreomusicality and the Early Works of Cage-Cunningham38 cited
  • 2018Enigmas of the Third Space: Mingus and Varèse at Greenwich House, 195733 cited
  • 2019Rethinking Reich33 cited
  • 2012In re: ‘Experimental Music’23 cited
  • 2018Interesting Haydn: On Attention's Materials22 cited
  • 2013Understanding Indeterminate Music through Performance: Cage's Solo for Piano18 cited
  • 2019Afro-Electric Counterpoint18 cited
  • 2014Winning and Losing in Russian New Music Today17 cited
  • 2014Indeterminacy, Free Improvisation, and the Mixed Avant-Garde:16 cited
  • 2022Heiner Goebbels and Curatorial Composing after Cage14 cited
  • 2013John Cage and David Tudor: correspondence on interpretation and performance14 cited
  • 2019That’s All It Does13 cited
  • 2019Musicology Without Music11 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

2014
The Musical Work Reconsidered, In Hindsight
11 cited