Talking to the Audience: Shakespeare, Performance, Self

Bridget Escolme

103 citations0/0 files stored

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Shakespeare, Adaptation, and Literary Criticism Theatre and Performance Studies Renaissance Literature and Culture

Abstract

Acknowledgments 1.Actors, Academics, Selves 2. 'Bits and Bitterness': Politics, Performance, Troilus and Cressida 3. The Point or the Question: Text, Performance, Hamlet 4. The Theatre and the Presence Chamber: History, Performance, Richard II 5. Performing Human: The SocA--etas Raffaello Sanzio Conclusion Notes Bibliography

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 103 citations exist upstream.

Cited by

2020Shakespeare, Spectatorship and the Technologies of Performance 2009Shakespeare and the power of performance: stage and page in the Elizabethan theatre 2023This Distracted Globe 2013’Tis Pity She’s a Realist: A Conversational Case Study in Realism and Early Modern Theater Today 2015Being-in-Light at the Early Modern and Reconstructed Theatres 2018Nature's Above Art (An Illustrated Guide)2007Early Modern Tragedy, Gender and Performance, 1984–2000 2012Spectatorship that Hurts: Socìetas Raffaello Sanzio as Meta-affective Theatre of Memory

Imported from OpenAlex (CC0) — nothing here is generated.