SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Film Noir and the Spaces of Modernity
0 references·16 citing·45 second hop
Film Noir and the Spaces of Modernity (2004)Film Noir and the Spaces of ModernityCrime Scene Photography in England, 1895–1960 (2018)Crime Scene Photography in En…Landscapes in the frame: exploring the hinterlands of the British procedural drama (2016)Landscapes in the frame: expl…The Rhythm of Non-Places: Marooning the Embodied Self in Depthless Space (2015)The Rhythm of Non-Places: Mar…Film Noir and the Culture of Electric Light (2015)Film Noir and the Culture of …The Bulger Case: A Spatial Story (2014)The Bulger Case: A Spatial St…I Thought California Would Be Different: Defining California through Visual Culture (2013)I Thought California Would Be…Digital imaging in popular cinema (2013)Digital imaging in popular ci…Mapping Cultures: A Spatial Anthropology (2012)Mapping Cultures: A Spatial A…Mapping the City through Film: From ‘Topophilia’ to Urban Mapscapes (2010)Mapping the City through Film…Film, space and place: researching a city in film (2010)Film, space and place: resear…Dis/embedded Geographies of Film: Virtual Panoramas and the Touristic Consumption of Liverpool Waterfront (2010)Dis/embedded Geographies of F…Cities and cinema (2008)Cities and cinemaCentrifugal Bostons and Competing Imaginaries inMystic River (2008)Centrifugal Bostons and Compe…Microfilm, Containment, and the Cold War (2007)Microfilm, Containment, and t…Cinema and the edgy city: Johannesburg, carjacking, and the postmetropolis (2007)Cinema and the edgy city: Joh…Cities in Shade: Urban Geography and the Uses of Noir (2005)Cities in Shade: Urban Geogra…Discipline and Punish: The Birth of the Prison. (1978)Black looks: race and representation (1992)5. The Practice of Everyday Life (2000)Intangible spaces (2013)“It's a Fake!”: Early and Late Incredulous Viewers, Trick Effects, and CGI (2018)Drones over Pompeii: cinematic perspectives on antiquity in the digital era (2019)City of Quartz: Excavating the Future in Los Angeles. (1991)Techniques of the observer: on vision and modernity in the nineteenth century (1991)The Condition of Postmodernity (1991)The Ghost in the City and a Landscape of Life: A Reading of Difference in Shirow and Oshii's Ghost in the Shell (2008)Chasing sleuths and unravelling the metropolis (2016)Imaginations of post-suburbia: Suburban change and imaginative practices in Auckland, New Zealand (2018)Writing Degree Zero (1953)Cinema and the City in History and Theory (2001)Cinema and the City (2001)The spatial stereotype: The representation and reception of urban films in Johannesburg (2017)THEORY OF FILM: The Redemption of Physical Reality (1965)The Cinema of Attractions Early Film, Its Spectator and the Avant-Garde (1990)The Production of Space (1992)Cinematic Cartography: Projecting Place Through Film (2012)Ciudad y ficción audiovisual: enfoques para un análisis geográfico (2022)The Tourist: A New Theory of the Leisure Class. (1977)Projecting Place: Location Mapping, Consumption, and Cinematographic Tourism (2010)Film-induced pilgrimage and contested heritage space in Taipei City (2016)On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection (1986)The social construction of scale (2000)Jason Bourne: Gender, Geopolitics, and Contemporary Representations of National Security (2010)Historiography and Historiophoty (1988)The Spatial Turn (2008)Melancholy in Nordic noir (2017)Small Screen IR: A Tentative Typology of Geopolitical Television (2017)Arctic Noir on Screen: Midnight Sun (2016–) as a Mix of Geopolitical Criticism and Spectacular, Mythical Landscapes (2020)Power/Knowledge: Selected Interviews and Other Writings 1972-1977 (1980)Traveling Engineers, Machines, and Comparisons: Intersecting Imaginations and Journeys in the Thai Local Engineering Industry (2013)Inefficient Mapping (2021)Historical Statistics of the United States, 1789-1945 (1949)Meaning in the Visual Arts (1958)Disenchanted night: the industrialization of light in the nineteenth century (1989)Plath and Fashion (2019)Neon visions: from techno-optimism to urban vice (2020)The Condition of Postmodernity: An Enquiry into the Origins of Cultural Change (1991)American Apartheid: Segregation and the Making of the Underclass. (1993)Beyond Representation: Film as a Pedagogical Tool in Urban Geography (2013)Projections of Diasporic Sensibilities through Travel: Wong Kar Wai in/and My Blueberry Nights (2015)Unveiling the Biographies of Media: On the Role of Narratives, Anecdotes, and Storytelling in the Construction of New Media's Histories (2016)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2016Landscapes in the frame: exploring the hinterlands of the British procedural drama68 cited
  • 2010Film, space and place: researching a city in film47 cited
  • 2008Cities and cinema47 cited
  • 2015Film Noir and the Culture of Electric Light44 cited
  • 2013Digital imaging in popular cinema31 cited
  • 2010Dis/embedded Geographies of Film: Virtual Panoramas and the Touristic Consumption of Liverpool Waterfront29 cited
  • 2007Microfilm, Containment, and the Cold War24 cited
  • 2012Mapping Cultures: A Spatial Anthropology23 cited
  • 2005Cities in Shade: Urban Geography and the Uses of Noir21 cited
  • 2007Cinema and the edgy city: Johannesburg, carjacking, and the postmetropolis18 cited
  • 2018Crime Scene Photography in England, 1895–196017 cited
  • 2010Mapping the City through Film: From ‘Topophilia’ to Urban Mapscapes16 cited
  • 2015The Rhythm of Non-Places: Marooning the Embodied Self in Depthless Space14 cited
  • 2013I Thought California Would Be Different: Defining California through Visual Culture12 cited
  • 2014The Bulger Case: A Spatial Story

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

12 cited
  • 2008Centrifugal Bostons and Competing Imaginaries inMystic River11 cited