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Is this real? : die Kultur des HipHop
0 references·16 citing·48 second hop
Is this real? : die Kultur des HipHop (2003)Is this real? : die Kultur des HipHopCompetitive by Nature: Unraveling the Affinity Between Basketball and Hip Hop (2024)Competitive by Nature: Unrave…‘Kollegah the Boss’: A case study of persona, types of capital, and virtuosity in German gangsta rap (2019)‘Kollegah the Boss’: A case s…Reflexive Responsibilisierung (2018)Reflexive ResponsibilisierungPostmigrantische Balkanbilder (2018)Postmigrantische BalkanbilderPolynesian Youth Hip Hop: Intersubjectivity and Australia's Multicultural Audience (2014)Polynesian Youth Hip Hop: Int…Navigating urban standstill (2014)Navigating urban standstillMusikalische Jugendkulturen in den letzten 65 Jahren: 1945–2010 (2012)Musikalische Jugendkulturen i…Musik im Kontext der Bearbeitung von Entwicklungsaufgaben des Jugendalters (2012)Musik im Kontext der Bearbeit…The Bongo Flava industry in Tanzania and artists' strategies for success (2011)The Bongo Flava industry in T…Verordnete Entgrenzung (2009)Verordnete EntgrenzungThe Lord of the Loops. Observations at the Club Culture DJ-Desk (2009)The Lord of the Loops. Observ…Musikpublikum und Musikpublikumsforschung (2009)Musikpublikum und Musikpublik…„Vergesst die Party nicht!“ (2009)„Vergesst die Party nicht!“No Time for Losers (2008)No Time for LosersHipHop meets Academia (2007)HipHop meets AcademiaMusikalische Selbstsozialisation Jugendlicher. Theoretische Perspektiven und Forschungsergebnisse (2006)Musikalische Selbstsozialisat…Some Exploratory Findings on the Development of Musical Tastes (1989)Entwicklungspsychologie des Jugendalters (2003)Pop-Fans (2003)Mediensozialisation als Aufwachsen in materiellen Medienumgebungen (2017)The effects of setting and music on the intention to participate in out-of-school music classes: An experimental video vignette study (2021)Subculture: The Meaning of Style. (1981)Subculture: The Meaning of Style (1995)Musikpublikum und Musikpublikumsforschung (2015)Populäre Jugend- und Musikkulturen im Film: Konzeptionen und Perspektiven (2016)Folk Devils and Moral Panics: The Creation of Mods and Rockers (1972–2002) (2019)Questions of Cultural Identity (1997)The Location of Culture (2012)The Cultural Politics of Emotion (2013)Rap, racism, and visibility: black music as a mediator of young Israeli-Ethiopians’ experience of being ‘Black’ in a ‘White’ society (2018)Forging traditions: continuity and change in the mid 2000s Australian Hip-Hop scene (2019)[Dr]illing in the name of: the criminalisation of Sydney drill group ONEFOUR (2022)Die feinen Unterschiede : Kritik der gesellschaftlichen Urteilskraft (1987)Changing Highbrow Taste: From Snob to Omnivore (1996)Die Erlebnisgesellschaft : Kultursoziologie der Gegenwart (2005)Jugendlicher Bildungshintergrund und Musikpräferenz (2012)Musikvermittlung lernen (2022)Musikvermittlung lernen (2022)Strukturen der Lebenswelt (1971)Club cultures: music, media and subcultural capital (1996)Club Cultures: Music, Media and Subcultural Capital (1997)„Wir verkaufen ein Erlebnis“ (2011)Performing the Nation: Swahili Music and Cultural Politics in Tanzania (2002)HIP-HOP AND CULTURAL CITIZENSHIP ON KENYA'S ‘SWAHILI COAST’ (2012)TRADITIONAL DANCES AND BONGO FLEVA: A STUDY OF YOUTH PARTICIPATION IN NGOMA GROUPS IN TANZANIA (2013)'Maisha yetu ya kila siku kama vile movie': Fantasy, desire and urban space in Tanzanian music videos (2019)Handbook of Theory and Research for the Sociology of Education. (1987)Language and Symbolic Power. (1992)The Forms of Capital (2002)“That’s the Kind of Music You Hear on the Subway without Headphones!”: Musical Evaluation Practices of Adolescents in Vienna (2021)Representations of Swedish ‘gangster rap’ in contemporary media – Exploring dimensions of public pedagogy (2025)Prospect theory: An analysis of decision under risk (1988)Development as Freedom (1999)Constructing Grounded Theory. A Practical Guide Through Qualitative Analysis (2006)Studies in Ethnomethodology. (1968)The Dialogic Imagination: Four Essays (1981)4 What Is Web 2.0? Design Patterns and Business Models for the Next Generation of Software (2012)Opening up Localities to the Wider World and the Postmigrant Generation: New Forms of Resistance and Self-Assertion (2021)Shadows of the past: violent conflict and its repercussions for second-generation Bosnians in the diaspora (2021)The Discovery of Grounded Theory; Strategies for Qualitative Research (1968)Laboratory Life: The Social Construction of Scientific Facts (1986)What is a global field? Theorizing fields beyond the nation-state (2016)Das Unbestimmbare bewerten. Aufnahmeverfahren an Kunsthochschulen aus rechtfertigungstheoretischer Perspektive (2019)Visual Artists’ Professional Situations and Trajectories Between Institutions and the Market (2020)
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Cited by

  • 2011The Bongo Flava industry in Tanzania and artists' strategies for success94 cited
  • 2018Reflexive Responsibilisierung59 cited
  • 2012Musikalische Jugendkulturen in den letzten 65 Jahren: 1945–201025 cited
  • 2018Postmigrantische Balkanbilder22 cited
  • 2009Verordnete Entgrenzung21 cited
  • 2012Musik im Kontext der Bearbeitung von Entwicklungsaufgaben des Jugendalters13 cited
  • 2014Polynesian Youth Hip Hop: Intersubjectivity and Australia's Multicultural Audience9 cited
  • 2009Musikpublikum und Musikpublikumsforschung9 cited
  • 2019‘Kollegah the Boss’: A case study of persona, types of capital, and virtuosity in German gangsta rap9 cited
  • 2009„Vergesst die Party nicht!“9 cited
  • 2006Musikalische Selbstsozialisation Jugendlicher. Theoretische Perspektiven und Forschungsergebnisse8 cited
  • 2009The Lord of the Loops. Observations at the Club Culture DJ-Desk7 cited
  • 2008No Time for Losers6 cited
  • 2007HipHop meets Academia6 cited
  • 2014Navigating urban standstill6 cited

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2024
Competitive by Nature: Unraveling the Affinity Between Basketball and Hip Hop
5 cited