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Cited by

• 2012The Cambridge History of Musical Performance46 cited
• 2005The Church Triumphant: music in the liturgy43 cited
• 2016‘YONG BEGINNERS, WHO LIVE IN THE COUNTREY’: JOHN PLAYFORD AND THE PRINTED MUSIC MARKET IN SEVENTEENTH-CENTURY ENGLAND42 cited
• 2012The performer and the composer10 cited
• 2012Instrumental performance in the nineteenth century6 cited
• 2012Performance in the ‘long eighteenth century’: an overview5 cited
• 2012Instrumental performance in the twentieth century and beyond5 cited
• 2008Who is the Father? Changing Perceptions of Tallis and Byrd in Late Nineteenth-Century England5 cited
• 2019Baroquely valedicting: Donneforbidding mourning. Date, purpose, and repurposing4 cited
• 2001William Ellis and the transmission of continental keyboard music in restoration England4 cited