The lustrous trade : material culture and the history of sculpture in England and Italy, c. 1700-c. 1860

Abstract

Introduction, Cinzia Sicca and Alison Yarrington recasting George I - sculpture, royal image and market, Barbara Arciszweska Camillo Rusconi in English collections, Frank Martin trade of luxury goods in Livorno and Florence in 18th century, Elena Lazzarini gentlemen of virtue - morality and representation in English 18th century tomb sculpture, Christiano Giometti contacts and contracts - Sir Henry Cheere and formation of a new commercial world of sculpture in mid-18th century London, Matthew Craske the ornaments of building - use of sculpture in English neo-Palladian architecture, Cinzia Sicca sheep, shepherds and wild beasts cut artificially in stone - production and consumption of garden sculpture in 18th century Genoa, Lauro Magnani Anglo-Italian attitudes - Chantrey and Canova, Alison Yarrington marble trade - Lazzerini workshop and arts, crafts and entrepreneurs of Carrara in early 19th century, Luisa Passegia Carlo Marochetti - maintaining distinction in an international sculpture market, Phillip Ward Jackson Belzoni's collecting and Egyptian taste, Susan M.Pearce between fine art and manufacture - beginnings of Italian Mediaeval and Renaissance sculpture at South Kensington Museum, Donata Levi enjoyment for thousands -sculpture as fine and ornamental art at South Kensington, Christopher Whitehead.

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