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The lustrous trade : material culture and the history of sculpture in England and Italy, c. 1700-c. 1860
0 references·5 citing·13 second hop
The lustrous trade : material culture and the history of sculpture in England and Italy, c. 1700-c. 1860 (2000)The lustrous trade : material culture and…The Perception of ‘Skills’ in Ostia: The Evidence of Monuments and Written Sources (2020)The Perception of ‘Skills’ in…Skilled Labour and Professionalism in Ancient Greece and Rome (2020)Skilled Labour and Profession…Labour Specialization in the Athenian Economy: Occupational Hazards (2020)Labour Specialization in the …THE “HARD FORM” OF SCULPTURE: MARBLE, MATTER AND SPIRIT IN EUROPEAN SCULPTURE FROM THE ENLIGHTENMENT THROUGH ROMANTICISM (2008)THE “HARD FORM” OF SCULPTURE:…Death and the Author: Westminster Abbey and the Meanings of the Literary Monument (2005)Death and the Author: Westmin…La production de l'espace (1974)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Between Memory and History: Les Lieux de Memoire (1989)“Like as My Profile”: Of Monuments, Money, and Political Caricature in Spring 1784 (2011)Monuments and Literary Posterity in Early Modern Drama (2015)Sculpting Reputation: A Terracotta Bust of Senesino by Roubiliac (2022)From Locke to Saussure: Essays on the Study of Language and Intellectual History. (1983)Critique of Judgment (1994)Oeuvres philosophiques, 1773-1790 (2004)The Nature of the Firm (1937)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)Women, Fire, and Dangerous Things (1987)The Athenian Bank: a Conspicuous Example of Labour Specialisation (2022)
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Cited by

  • 2020Skilled Labour and Professionalism in Ancient Greece and Rome39 cited
  • 2020The Perception of ‘Skills’ in Ostia: The Evidence of Monuments and Written Sources36 cited
  • 2020Labour Specialization in the Athenian Economy: Occupational Hazards16 cited
  • 2005Death and the Author: Westminster Abbey and the Meanings of the Literary Monument14 cited
  • 2008THE “HARD FORM” OF SCULPTURE: MARBLE, MATTER AND SPIRIT IN EUROPEAN SCULPTURE FROM THE ENLIGHTENMENT THROUGH ROMANTICISM14 cited

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