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Cited by

• 2012Wastrels of Time: Slow Cinema’s Laboring Body, the Political Spectator, and the Queer77 cited
• 2007The Production of Outrage: The Iraq War and the Radical Documentary Tradition33 cited
• 2015Soul of the Documentary: Framing, Expression, Ethics32 cited
• 2009Introduction: What Now? Presenting Reenactment27 cited
• 2007The Surrealism of the Photographic Image: Bazin, Barthes, and the Digital Sweet Hereafter18 cited
• 2015Atrocity Photographs, Dignity, and Human Vulnerability15 cited
• 2017The Interchangeability of VFX and Live Action and Its Implications for Realism11 cited
• 2021Realist Cinema as World Cinema9 cited
• 2007Moving Pictures, Still Lives: Staging National Tableaux and Text in Prospero's Books9 cited
• 2022Onscreen/Offscreen8 cited
• 2010"Les Enfants et les Cinéphiles": The Moment of Epiphany in The Spirit of the Beehive8 cited
• 2009Theorizing film realism empirically7 cited
• 2019Devil in the Details: The Uncanny History of The Witch (2015)5 cited
• 2010Proper Corruption: Index and Metaphor in Photographs of the Embalmed Corpse of Eva Perón2 cited
• 2012