SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The Arabesk Debate: Music and Musicians in Modern Turkey.
0 references·16 citing·53 second hop
The Arabesk Debate: Music and Musicians in Modern Turkey. (1994)The Arabesk Debate: Music and Musicians i…Between neo-Ottomanism and Ottomania: navigating state-led and popular cultural representations of the past (2017)Between neo-Ottomanism and Ot…Kurdish Music-Making in Istanbul: Music, Sentiment and Ideology in a Changing Urban Context (2016)Kurdish Music-Making in Istan…Musical memory, heritage and local identity: remembering the popular music past in a European Capital of Culture (2012)Musical memory, heritage and …Assessing Turbofolk Controversies: Popular Music between the Nation and the Balkans (2012)Assessing Turbofolk Controver…Reviving the Golden Age Again:“Classicization,” Hindustani Music, and the Mughals (2010)Reviving the Golden Age Again…ON MUSICAL COSMOPOLITANISM (2007)ON MUSICAL COSMOPOLITANISMBorderland Pop: Arab Jewish Musicians and the Politics of Performance (2006)Borderland Pop: Arab Jewish M…Beyond the Glitter: Belly Dance and Neoliberal Gentrification in Istanbul (2006)Beyond the Glitter: Belly Dan…‘Living underground is tough’: authenticity and locality in the hip-hop community in Istanbul, Turkey (2005)‘Living underground is tough’…Opportunities for ethnography in the sociology of music (2004)Opportunities for ethnography…Islamic political identity in Turkey (2004)Islamic political identity in…Popular music analysis: ten apothegms and four instances (2003)Popular music analysis: ten a…Marxist music analysis without Adorno: popular music and urban geography (2003)Marxist music analysis withou…From lyric to anti-lyric: analyzing the words in pop song (2003)From lyric to anti-lyric: ana…The rise of a spontaneous synthesis: the historical background of Turkish popular music (1996)The rise of a spontaneous syn…“Indian” music in the diaspora: Case studies of “chutney” in Trinidad and in London (1996)“Indian” music in the diaspor…The Black Atlantic: Modernity and Double Consciousness. (1997)Music and the racial imagination (2000)On Musical Mediation: Ontology, Technology and Creativity (2005)Jazz in Athens: Frustrated Cosmopolitans in a Music Subculture (2011)Audience development and its blind spot: a quest for pleasure and play in the discussion of performing arts institutions (2014)German Operetta on Broadway and in the West End, 1900–1940 (2019)The Social Construction of Reality (1967)Multiculturalism and the politics of recognition (1992)The Rise of "Muslim Democracy" (2005)Explaining the Political Ambivalence of Religion (2007)Passive and Assertive Secularism: Historical Conditions, Ideological Struggles, and State Policies toward Religion (2007)The Interpretation of Cultures (2017)From Managerialism to Entrepreneurialism: The Transformation in Urban Governance in Late Capitalism (1989)On Collective Memory (1992)Modernity at Large: Cultural Dimensions of Globalization. (1998)Narratives of popular music heritage and cultural identity: The affordances and constraints of popular music memories (2015)Higher Education and the Creative Economy (2016)Networked practices of intangible urban heritage: the changing public role of Dutch heritage professionals (2016)The Presentation of Self in Everyday Life. (1956)The Global City (1991)FLEXIBLE CITIZENSHIP IN DUBAI: Neoliberal Subjectivity in the Emerging “City-Corporation” (2010)Rendering Istanbul's Periodic Bazaars Invisible: Reflections on Urban Transformation and Contested Space (2012)Distinction: A Social Critique of the Judgement of Taste* (2018)Nesting Orientalisms: The Case of Former Yugoslavia (1995)Imagining the Balkans (2009)Introduction: The New Old Europe Sound (2015)Postcoloniality Without Race? Racial Exceptionalism and Southeast European Cultural Studies (2018)Language, the Singer and the Song (2019)The Postmodern Condition: A Report on Knowledge (1984)After the Great Divide (1986)The Ideology of the Aesthetic (1988)Love is all around: a corpus-based study of pop lyrics (2012)Metric Ambiguity and Flow in Rap Music: A Corpus-Assisted Study of Outkast's "Mainstream" (1996) (2017)Flow (2019)Club cultures: music, media and subcultural capital (1996)Racial Authenticity in Rap Music and Hip Hop (2008)Pop-Rock Music as Expressive Isomorphism: Blurring the National, the Exotic, and the Cosmopolitan in Popular Music (2011)Gangs and gangsta rap in Chicago: A microscenes perspective (2013)The Discovery of Grounded Theory (2017)The Invention of Tradition (1986)Colonialism and its forms of knowledge: the British in India (1997)Castes of Mind: Colonialism and the Making of Modern India (2002)Non-Western national music and empire in global history: interactions, uniformities, and comparisons (2015)Tellings and Texts (2015)Listening to North Indian Classical Music: How Embodied Ways of Listening Perform Imagined Histories and Social Class (2017)Television: Technology and Cultural Form (1974)Changing Highbrow Taste: From Snob to Omnivore (1996)Musealisation as a strategy for the reconstruction of an idealised Ottoman past: Istanbul’s Sultanahmet district as a ‘museum-quarter’ (2018)The conquest of hearts: the central role of Ottoman nostalgia within contemporary Turkish populism (2018)Ottomania: Televised Histories and Otherness Revisited (2019)A prescribed alternative mainstream: popular music and canon formation (2006)Mapping the linguistic landscape of a commercial neighbourhood in Central Phnom Penh (2012)The Labors of Michael Jackson: Virtuosity, Deindustrialization, and Dancing Work (2012)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2004Islamic political identity in Turkey313 cited
  • 2006Beyond the Glitter: Belly Dance and Neoliberal Gentrification in Istanbul114 cited
  • 2003From lyric to anti-lyric: analyzing the words in pop song92 cited
  • 2005‘Living underground is tough’: authenticity and locality in the hip-hop community in Istanbul, Turkey89 cited
  • 2003Popular music analysis: ten apothegms and four instances87 cited
  • 2007ON MUSICAL COSMOPOLITANISM85 cited
  • 2017Between neo-Ottomanism and Ottomania: navigating state-led and popular cultural representations of the past77 cited
  • 2012Assessing Turbofolk Controversies: Popular Music between the Nation and the Balkans71 cited
  • 2010Reviving the Golden Age Again:“Classicization,” Hindustani Music, and the Mughals63 cited
  • 2012Musical memory, heritage and local identity: remembering the popular music past in a European Capital of Culture57 cited
  • 1996The rise of a spontaneous synthesis: the historical background of Turkish popular music55 cited
  • 2016Kurdish Music-Making in Istanbul: Music, Sentiment and Ideology in a Changing Urban Context52 cited
  • 2006Borderland Pop: Arab Jewish Musicians and the Politics of Performance48 cited
  • 2003Marxist music analysis without Adorno: popular music and urban geography

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

47 cited
  • 2004Opportunities for ethnography in the sociology of music43 cited
  • 1996“Indian” music in the diaspora: Case studies of “chutney” in Trinidad and in London43 cited