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The Artificial Kingdom: A Treasury of the Kitsch Experience
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Cited by

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  • 2004It’s all about the Fit: The Hand, the Mobile Screenic Device and Tactile Vision99 cited
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  • 2016Materializing Memory in Art and Popular Culture59 cited
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  • 2005Staging Meaning: Performance in the Modern Museum37 cited
  • 2007Putting the world into a box: a geography of nineteenth‐century ‘travelling landscapes’31 cited
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  • 2000Figments for Sale: Marketing, Imagination and the Artistic Imperative24 cited
  • 2004Customized Hybrids: The Art of Ruben Ortiz Torres and Lowriding in Southern California17 cited
  • 2003From Kitsch to Chic: The Transformation of Hawaiian Shirt Aesthetics10 cited
  • 2016“This House Is Not for Sale”: Nollywood's Spatial Politics and Concepts of “Home” in Zina Saro-Wiwa's Art6 cited
  • 2017Ruinas modernas y arte contemporáneo: el caso de El Helicoide de la Roca Tarpeya

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6 cited
  • 2022Reification in tourism: An investigation of visitors’ interpretation of omamori3 cited