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Whoever Hears You Hears Me: Prophets, Performance, and Tradition in Q
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  • 2006Performance Criticism: An Emerging Methodology in Second Testament Studies—Part I39 cited
  • 2009Orality and the Gospels: A Survey of Recent Research21 cited
  • 2011Ritual, Memory and Writing in Early Christianity19 cited
  • 2014Measuring and weighing psychostasia in Q 6:37–38: Intertexts from the Old Testament14 cited
  • 2014Framing Social Criticism in the Jesus Movement: The Ideological Project in the Sayings Gospel Q13 cited
  • 2021Performing Early Christian Literature12 cited
  • 2004The Implications of "Orality" for Studies of the Biblical Text12 cited
  • 2009Identity formation in the New Testament12 cited
  • 2006Imagining the Matthean Eunuch Community: Kyriarchy on the Chopping Block11 cited
  • 2010Oral and Written Aspects of the Emergence of the Gospel of Mark as Scripture9 cited
  • 2006Early Christian movements: Jesus movements and the renewal of Israel6 cited
  • 2013NEW TESTAMENT TEXTS IN THE CONTEXT OF READING PRACTICES OF THE ROMAN PERIOD: THE ROLE OF MEMORY AND PERFORMANCE6 cited
  • 2016“Your Father Knows that You Need All of This”: Divine Fatherhood as Socio-Ethical Impetus in Q’s Formative Stratum5 cited
  • 2002Die uitdrukking “seun van die mens” in die Jesus-tradisie: ’n Ontwikkeling vanaf ’n landbou-omgewing na die wêreld van skrifgeleerdes

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5 cited
  • 2002Die Koninkryk van God by Jesus: ’n Apokalipties-eskatologiese of eties-eskatologiese begrip?4 cited
  • 2012Schipperen tussen twee rijken: Q en het Romeinse gezag4 cited